books, reviews

Book Review – Murder on the Orient Express by Agatha Christie

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5_star_rating_system_5_stars Let’s look back to the end of 2017 when I foolishly decided that I would reread Murder on the Orient Express before I watched Kenneth Branagh’s film adaptation. Unfortunately, I started reading Autumn by Ali Smith and it took me all fucking month to get through it. So, I decided that this was the year when I would finally do it. And, today, nearly a whole month later, I closed the final page. I should just realise that December isn’t my reading month but, if I start doing that, I’d then have to admit that no month is my reading month. It’s why I can’t ever set myself a reading challenge unless it’s read 1 book. But, let’s not get too bogged down with 2019. We’re still in 2018 and, unless I miraculously gain the ability to read super quickly, this will be the last book I finish this year. So, let’s make this review a good ‘un.

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films, reviews, TBT

Throwback Thirty – Buster (1988)

buster5_star_rating_system_2_stars Ever since I watched this week’s Throwback Thirty film I’ve had the song ‘You’ll Be In My Heart’ in my head. You know the one. The Phil Collins song from Disney’s Tarzan movie. I’ve only seen about half of that film but I fucking love that song. It must have been on a Disney compilation album I had when I was younger. It was probably the first time I was aware of Phil Collins as a person. I’d no doubt heard more of his stuff but never known who it was. But I knew it with this song. So, that song has become so intrinsically linked with Phil Collins that I can’t hear his name without it spending days in my head. And those drum beats are bloody memorable. And then there’s the fact that the film’s soundtrack is full of classic Phil Collins songs. So, it’s been a pretty Collins heavy week for me. I definitely need to go and listen to something else as soon as I’ve written this review. And forget this ever happened.

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films, reviews

Tuesday’s Reviews – Ocean’s 8 (2018)

oceans-8-2018-english-900mb5_star_rating_system_3_stars Steven Soderbergh’s remake of the 1960 Rat Pack film was a great film. Featuring a cast of big names and possessing an even bigger sense of fun, it was something I enjoyed watching again and again. Then the series went downhill thanks to the release of Ocean’s 12 and had a slight improvement with the final installment Ocean’s 13. Soderbergh was adamant that neither he or George Clooney wanted to carry on with the films but that didn’t stop the rumours of a gender-swap reboot. Now, I’m all for female centric films but was there really anything to add to this series? Soderbergh’s trilogy proved that it was an area that you couldn’t really get very innovative with so would we literally just see the same film but with females in the male roles? The cast list was sensational and exciting. Cate Blanchett, Mindy Kaling, Sandra Bullock, Helena Bonham Carter. Love them all. Anne Hathaway? She’s had her moments alongside her undeserving Oscar wins. Rihanna? I guess. So I was there. Really, I was just secretly glad that Leslie Jones wasn’t here in the Bernie Mack role. We’ve seen where that gets us in Ghostbusters.

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films, reviews, TBT

Throwback Thirty – The Accused (1988)

220px-accused_ver25_star_rating_system_3_and_a_half_stars Today was the end of my working week and I’m absolutely exhausted. I got home from work and just collapsed. So, my aim is to get through this review and get tucked up in bed at an obscenely early time. Especially as this was such an emotionally draining film so I can’t imagine that writing this is going to be the most fun I’ve ever had. I’d heard about this film before this week, obviously, but I’d never seen it. As I’ve made perfectly clear on this blog, I’m very wary of the way sexual assault is used in the entertainment industry. There are countless rants available that make my point very clear. It’s a difficult and important subject that needs to be handled correctly. When it isn’t it has the potential to damage so many people. So, going into this film I was already anxious about the key scene and how it would depict the event that is so key to the film’s narrative. But, given this is the film that won Jodie Foster an Oscar for Best Actress, I didn’t feel as though I could ignore it in this series.

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