Tuesday Review – Richard Jewell (2019)

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richard_jewell_poster5_star_rating_system_3_stars I don’t often like to admit it but I was wrong. I had no faith in the Academy to give Bong Joon Ho and his basically flawless film the recognition they deserve. But, at the 2020 Oscars, Parasite became the biggest success of the night. It genuinely couldn’t happen to a nicer person. 1917 is a technically brilliant film but, in terms of narrative, it doesn’t exactly break new ground. Parasite did everything and it did it well. It brought together so many ideas and genres without ever getting overwhelmed. Bon Joon Ho is one of the greatest filmmakers of our time and I’m chuffed the Academy actually saw it too. But let’s not look back too long. After my massive Oscars week viewing, I am now a few weeks ahead with the films I need to review. I thought about doing them this week just to get them out of the way but, honestly, I need a break. So, get ready for my next few Tuesday posts to be a little behind the times.

Tuesday Review – Vice (2018)

films, reviews

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5_star_rating_system_3_stars

I’m going to be honest, I’d forgotten that today was Tuesday until a few minutes ago. I was happily sorting everything out and trying to organise my shit when I realised. I needed to hurry up and write this damn review. It’s all because my shifts have changed this week so I’m all off. I keep thinking it’s Sunday or something. But it’s not and I have another Best Picture nominee to review. The BAFTAs took place on Sunday and, despite having several nominations, Vice didn’t do too well out of the ceremony. Winning an award for Best Editing, it missed out on the other 5 categories it was up for. Christian Bale looked like a real contender for Best Actor but Rami Malek beat him out. Whether that changes Bale’s chances at the Oscars remains to be seen but, if you ask me, he’s still a pretty strong possibility. Malek was great but will it speak to the Academy? Especially when Bohemian Rhapsody was so disappointing. Who can say? But, all I know is, it’s never a good idea to discount Bale whenever he drastically alters his appearance for a role. I mean the guy even went to the lengths of thickening his neck. If that’s not commitment to a character then I don’t know what is.

Tuesday’s Review – Three Billboards Outside Ebbing, Missouri (2017)

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3d932a1d00cc057ddd9e7210ea7a29085_star_rating_system_4_stars1 Sunday night was the annual BAFTA film awards and it was the usual mixture of glitz, glamour, and massively unnecessary shade. Now, obviously, as a sane young woman I am a massive fan of the whole Times Up and #metoo movement. However, there was a lot of over-the-top bitchiness that appears to have come out of the ceremony. The first, regarding the Kate Middleton’s dress is insane. Surely, as a royal, she wouldn’t have been allowed to make any outright statement by wearing a black dress. She did, however, get pretty damn close to the colour women were wearing in solidarity to the movement, so I think we know where she stands. Number 2, Salma Hayek. I’ve been thinking about this a lot since I read about her introduction to the Best Actor category and I’m still dumbfounded by it. I don’t really see what her point was. She went in knowing she was going to present an award to a man yet decided to make a pointless and ineffective protest about men whilst doing it. It wasn’t a powerful message and, if anything, damaged the movement by making it seem like women are standing up against men in general. It adds to all the talk of “witch hunts” and, quite frankly, was a dick move in relation to the winner. Gary Oldman deserved his moment to win an award that was and always has been gender specific. Natalie Portman had a great point at the Golden Globes when she bitched about the all male Best Director category; Salma Hayek looked like a fucking idiot to be protesting a man winning a male only award.