I felt as thought I’d seen this film at some point but I never had. It’s probably just because of how much attention this film was given. If I remember correctly, this was a major deal. The David Hasselhoff cameo also ended up being a major deal and apparently got him a new generation of fans. However, even the prospect of briefly seeing the ex-Baywatch star wasn’t enough to get me to watch this film. Until I’d decided to watch the most recent SpongeBob film. It only felt right to watch the show’s first movie outing before I gave the latest one a try. As I mentioned on Tuesday, I’m not a big fan of the show, so it wasn’t as if I was massively looking forward to it. Still, I’m not in the mood for much complexity right now. This felt perfect for my mood. At the very least, it wasn’t going to be too long.
I can’t say that I was ever a fan of SpongeBob SquarePants when I was younger. It just passed me by and I wasn’t really aware of its existence until I was too old to care. I briefly lived with a guy at uni who had been given the nickname Sponge and had the animated character tattooed onto his person. Still, I didn’t feel like checking it out. I didn’t watch a whole episode until I first subscribed the Netflix and started watching it ironically as an adult. I appreciated the series but I can’t say that I saw what all of the fuss was about. So, I’m not exactly the kind of person who would be rushing out to watch the latest movie but these are Covid times. Nothing really makes much sense right now so I decided to watch it. At the very least, I figured that it would work with my current reduced attention span.
It’s been a while since I last logged into NetGalley. It’s mainly because I hate the pressure of it. I would always get overexcited and request loads of books. Then I’d never be able to read them in time and feel guilty. I lost access to a lot of books and, consequently, my rating went down. So, I walked away and decided to read the books I wanted to buy. Then I realised that NetGalley were offering audiobooks. How perfect? I find it much easier to fit in an audiobook in my schedule. So, I went on and requested a bunch. This was the first one that I got and I was really happy. I’d been interested in this collection but, I admit, I’d been left scared after The Wall didn’t really do much for me. Could this collection be as good as it sounded?
When watching Hubie Halloween last weekend, it was hard not to compare the character to other Adam Sandler characters. I mean Hubie is basically Little Nicky but without the religious aspect. Does it help that both films are directed by Steven Brill? Probably not but it does raise questions about just how long Sandler can keep going. I mean, he’s barely evolved since the start of his career and that would be fine if this latest film didn’t feel like such a throwback. And I know. Uncut Gems but he didn’t write that. Just look as his other Netflix films. Murder Mystery? The Ridiculous 6. How long can he keep churning out the same tired comedy films?
I have to admit to something, I never got round to watching Uncut Gems. Phew, that’s a weight off my chest. At the time that it was really doing the rounds, I was desperately trying to watch all of the Oscar nominated films and, unfortunately, it was totally ignored by the Academy. I always intended to catch up but it never happened. Not because I didn’t think it would be good but because it just seemed so heavy. I mean this year is heavy enough. The reason I bring it up is because Uncut Gems could very well be the reason that Hubie Halloween exists. Before awards season kicked off, Sandler made a vow that he would make the worst film possible if he wasn’t nominated for an Oscar. 10 months on and another Netflix original hits us. So, was it really going to be the worst of his vast and often uninspiring career? There was only one way to find out.
It probably wasn’t until Paddington 2 that I really gave a shit about Hugh Grant. When it comes to his acting career, all I ever really associated with him were Richard Curtis movies and I’m not a huge fan of Richard Curtis movies. Don’t get me started on how awful Love Actually actually is. It was Paddington 2 that really showed how much fun he could be. So, when I saw the trailer for Guy Ritchie’s The Gentlemen I was quite excited to see it. I can’t say that Ritchie has ever been my favourite director even before he started making guff like King Arthur and Aladdin. They just weren’t the films I was interested in watching. I guess his films are fun in their own way. Just as long as you don’t mind gangs in London who have a penchant for violence.
I haven’t been a massive fan of romantic comedies since I was a stupid tween but I can definitely see the appeal this year. There is so much awful stuff going on in the world that escaping into a rom-com seems like the perfect thing to do. There is a familiarity about these films that is pretty comforting. You know where you’re going to end up before you’ve even started, so you can just sit down and let it all wash over you. Considering the rest of the world is in utter turmoil, there’s a lot to be said to knowing what to expect. This is my only explanation for sitting down to watch the new Netflix original romantic comedy despite the fact that I knew I wasn’t really going to enjoy it.
As we’ve already discussed, I’m a petty and stubborn person. I stayed up way too late on the 31st August to make sure that I finished this damn book before the month was over. After all, I had already included it in my August Reading Wrap-Up and I didn’t want to miss my book count of 10. Thankfully, I did manage it and I didn’t end up being too late a night. The question is, was the book worth it? I wasn’t exactly expecting a great deal from this book because I really hadn’t thought much of Vox. When I wrote my review of Christina Dalcher’s previous novel, I discussed the rise of feminist dystopia and how bored I was with it. I guess, on the plus side, Dalcher has taken a broader approach. Women don’t exactly have it easy in this one but at least it wasn’t another literary world specifically created to torture women into submission.
It was genuinely shocking to wake up on Saturday morning to the news that Chadwick Boseman had died after battling cancer since 2016. The actor had kept his medical struggles a secret even as he carried on working. Think about it, he’s given us 3 turns as T’Challa, a biopic about Thurgood Marshall, and Spike Lee’s Da 5 Bloods. All while battling cancer. And not just that. Boseman had already become something of an acting legend and his role as the Black Panther only cemented his importance to Black people all over the world. He will be remembered for all of the work he did to bring Black stories to the big screen and for sticking to his beliefs. You can see how much he meant to people all over the world by the outpouring of grief on social media this weekend. 43 is far too young for anyone to leave us and Boseman’s passing will be felt for a long time to come.
I know we have the same conversation every time some new contemporary author is compared to Agatha Christie but it’s the kind of thing that bears repeating. Modern readers really underestimate her skills. It seems as though all you need to do these days to be compared to her is either mention her/her books or write a small scale crime thriller. By small scale, I mean not one of these overly dark, psychological thrillers but more of a slow burner that revolves around a domestic or small setting. Here’s the thing: Agatha Christie knew what she was doing. She understood people, she understood motivation, and she understood murder. She had the ability to shock and she knew exactly what her readers wanted. Her books are light on detail and character study because they don’t need it. They do what they set out to do. She wasn’t an indulgent writer because she understood how to craft the perfect whodunnit. She didn’t need gimmicks or excess plot to distract her readers. She hid everything in plain sight. Something writers these days tend to struggle with.