I found out about this film after watching The Curse of Bridge Hollow for Halloween. That should be obvious though really. Why else would I have chosen to watch a Marlon Wayans film instead of animation directed by Henry Selick. After all, he’s responsible for two of my favourite animated films. What a legend.
I’m not a horror movie fan. They just aren’t my thing. For one thing, I hate jump scares. I’m so easily spooked. So, when it comes to Halloween movies, I tend to gravitate towards kid’s movies. They’re more my speed and tend to be quicker. I’m still not at the top of my film-watching game, so have no attention span. Thankfully, Netflix always has something stupid that fits the bill.
I’ve never read Strangers on a Train but I’ve seen so many adaptations, references and parodies that it feels as though I have. One of the most memorable ones is in an episode of The Simpsons, which really only sticks in my mind because Barr keeps popping up saying “criss-cross”. The latest film to be inspired by Patricia Highsmith’s novel is Do Revenge. The Netflix original is what happens when you combine Alfred Hitchcock and Riverdale. I always suspected that I was beyond the intended age range but I figured it was worth a try. After all, I’m fairly obsessed with Maya Hawke at the moment. She’s by far the greatest thing about Stranger Things and was interested to see her do something a bit darker.
Hollywood is a strange place when it comes to beauty standards. This isn’t news but every so often a film will come along that pushes me to the brink. Like when I Feel Pretty tried to convince us that Amy Schumer was fat. Or how they keep casting the phenomenally beautiful Kate Winslet in the dowdy role. Not jut Kate Winslet. Hollywood is so obsessed with only casting beautiful people that they often have to stretch reality for the sake of the story. Take Marry Me. One of the major plot points of the film is that Jennifer Lopez marrying the age-appropriate and handsome Owen Wilson is considered a sign of madness.
After a couple of weeks off, I’m back to review another Chris Evans film. I’m pretty obsessed at the moment. Not that I wasn’t already but I have been loving all the photos he’s been posting of late. Although, I was especially sad when he got rid of the moustache. I know most people didn’t approve of him with a tash but I think he looked great. All I need is Chris Evans with a moustache and that Knives Out jumper and life would be pretty good. But would The Gray Man?
I wasn’t sure that I’d have the energy to watch a film over the weekend thanks to Covid. Luckily, I managed to fit one in. For some reason, I decided that it would be a good idea to watch Netflix’s new pandemic film. It didn’t really feel as though 2022 was the best time for lockdown film. Mostly because most people are happily pretending that Covid has gone. Lockdowns alrady feel as though they’re old news. I get that it takes time to get a production going but they knew this going in. I had to find out just what Judd Apatow and co were thinking with this one.
Ryan Reynolds is so good at marketing that I always end up feeling really excited about every film he’s in no matter how awful it looks. Even his awful Netflix originals, which have traditionally turned out to be underwhelming. This is why I’ve not been too bothered to have missed out on his recent releases. Although, now that I’ve got it back, I figured that I might as well give this one a chance. After all, it also stars Mark Ruffalo who is normally fun to watch. And, more importantly. it came in at under 2 hours, which is something that is kind of rare these days. Maybe Netflix does get some things right?
When Rebel Wilson first revealed her weight loss, she also revealed her motivations. One of them was that she thought her weight was preventing her from getting serious roles. I’m not saying that I don’t believe this was true but it did surprise me that she then went on to make Senior Year. I mean she was playing another version of the same character she always plays but this time with a different body shape. If she seriously wanted more dramatic roles, how is this film going to help her image as an actor? Nobody was likely to see this and think “yes, that’s the person I want in my Oscar-bait drama film”. Of course, it doesn’t matter but I found it interesting. Whatever the reason, Wilson looks great now and I think she looked great before.
I have to be honest, I wouldn’t have watched this film if it wasn’t for its link with Spider-Man: Into the Spider-Verse. From the Netflix trailer, it just seemed like any other family animation mixed with every repetitive homicidal AI sci-fi film. Yes, it looked good and there were elements that really interested me. Mostly Olivia Colman. I didn’t think it was gong to be bad but I just wasn’t the market for something so seemingly unoriginal. Then this weekend happened and I hadn’t watched a new film for today’s post. There was only one thing to do. Find the quickest and easiest thing to watch on Netflix.
I’ll be the first to admit that I didn’t put much effort into my film choice for this week but things haven’t gone as I expected this weekend. Being incredibly exhausted and pretty busy was a terrible combination. So, when it came time to watch something, I was mostly looking for something quick and tat didn’t require any real effort. At one point, I’d considered watching the Snyder cut of Justice League but I wasn’t capable of concentrating on something for over 4 hours. Especially something that I didn’t enjoy enough the first time to really want to watch again. Instead of Snyder, I turned to Netflix and found the least appealing film that I could find. The fact that it ran to just under 90 minutes was just a happy bonus.