I really don’t want to write this review. I’ve sat with it open ever since I got home from work and I’ve not managed to come up with anything. If I’m honest, I never actually wanted to watch this fucking film. I mean Man of Steel was just dreadful and proved that Zac Snyder really should have called it quits on comic book movies after Watchmen was only hated by a handful of people. Those of you who were around at the time of my review of the first of Snyder’s Superman films will remember that, aside from it being badly written and really fucking long, it wasn’t exactly complimentary. I just didn’t get Snyder’s vision for the most popular alien in the DCEU. Still, those photos of Ben Affleck looking super buff got me interested and I finally decided it was time to watch it. I was a big fan of the Batffleck before watching this film so it would be just like Snyder to fuck that up for me too. I decided it was right to watch the Ultimate Edition and, after a gruelling day at work, I sat down for a gruelling 3 hours of muted tones, smack you in the face symbolism, and terrible parts for women. Classic Snyds.
- His Bloody Project by Graeme Macrae Burnet
Oh what a difference a week or two makes. When I think back to trying to force myself through those two Stephen King novels I just feel foolish. I’ve finally got back that feeling of wanting to read. This book is so good that I can’t wait to read more. I’m being unsociable on my lunches and reading at work again. Turning off my computer early and getting an hour or so in before bed. Macrae’s Man Booker nominated book is like the literary version of Making a Murderer. It’s fucking awesome. This is an engrossing tale and learning more about Roderick’s life is fantastic. I can’t wait to delve further into his history and psychology.
- A Song of Ice and Fire – books 2 to 5
- Eileen by Ottessa Moshfegh
- Batman vs Superman
I work with a guy who is a fairly huge fan of Superman so I have had to contend with his excitement concerning Zack Snyder’s Man of Steel since its production was announced. With the release of every new trailer I was met with a gushing report of how it was set to be the best film ever made and, in the past few weeks, have been continually asked when the inevitable Blu-Ray release is. This is all very well and good but I found it difficult to match his excitement. As a child I loved the Christopher Reeve films and was a fan of the ‘I’m sure it was cool in the 90s’ Lois & Clark: The New Adventures of Superman. However, as a superhero, I never really responded to Kal-El in the same way I did with other forces of good. The reason for this is simple: his parents. Clark, as an alien who receives strength from the Sun, has an immense advantage over other heroes. He isn’t making the same kind of sacrifice as people like Batman, Iron Man or Spider-Man. He also never seemed as easy to engage with as a character. He’s a bit too cheesy (yes I realise talking about cheesiness in terms of any superhero is somewhat ridiculous) in an All-American hero kind of way. It’s grating and, when he’s riding around on his insanely high horse, it’s difficult to see him let alone connect with him as a character. If I had to pick an almost indestructible, God-like alien for a friend it’d be Thor no question. He seems fun in a Nordic way, has a nifty hammer and is all beardy. Plus, his human form is a doctor whilst Clark Kent runs around playing a famous journalist. It’s all a bit too narcissistic for me. So by the time I finally got round to watching this supposed masterpiece I had my expectations set to ‘not stunned’.
There was a definite sense that Superman needed a revival that would breathe new life into the man in red and blue. There was room to bring Kal-El in line with the current trend for comic-book movies and have him grow up that little bit. If that meant roughening up the edges then director Zack Snyder and producer (and script contributor) Christopher Nolan weren’t going to take the softly softly approach. Nolan and Snyder aren’t exactly your typical film partnership and there is a sense that this film is battling with its two different attitudes. On the one hand it is the dark and moody tale of a man who must fight against his Kryptonian nature and his human sensibilities: who must pick between the destiny set-out for him by his dead biological father and the careful path his adoptive human father would have him follow. On the other, it is a fast, loud and brash tale of destruction and violence that would have even Michael Bay wondering “is this a bit much?”: in other words hard-core explosion porn. It is Nolan’s style that ends up suffering and the last hour or so ends up being mainly about Kal and his Kryptonian buddies destroying everything they come across.