I’ve been so confused by what day of the week we’re on recently. I’ve been a day ahead for ages now. It’s all because I got ahead with my posts and that really ruins my routine. I’d written both Monday and Wednesday’s posts on Sunday night. This meant, for some reason, that I was thought it was Tuesday on Monday. It’s okay though, I just need to get trough 2 more days and I’ve got a few days off. I’m going to do as little as possible. Probably reading, watching Christmas films, and eating. Speaking of Christmas films, I’m meant to be documenting my Christmas film advent calendar on my Instagram stories but I’m already behind. This is what happened last year so I eventually abandoned it. I’m determined to keep going this year. On Tuesday, I reviewed a film in which Dolly Parton played a Christmas Angel, so the only real companion for this TBT post was going to be this; a 1996 made-for-TV movie starring Dolly and Roddy McDowall.
The year 2020 has been the year of the Netflix controversy hasn’t it. First, you had Cuties causing all sorts of problems in America. The Crown has the British government confused about the difference between drama and real-life. More recently, Hillbilly Elegy has been creating some strife thanks to its source material. Just when you think it can’t get any worse, there’s another social media storm. Now, it’s about their latest Christmas release The Princess Switch: Switched Again. Fans have taken to Twitter to share their confusion and, in some cases, outrage that two characters from The Christmas Prince franchise appeared in a scene towards the end. Personally, I didn’t even register, so well done to these people for actually watching the film properly. As we all remember, in the original film, Vanessa Hudgens settles down to watch The Christmas Prince at one point in the film. So, how do these clearly fictional characters turn up in the actual film? It’s a big question but not quite as important as “who cares?” Or even as “why did they even make a second film?”
It’s been a while since I last logged into NetGalley. It’s mainly because I hate the pressure of it. I would always get overexcited and request loads of books. Then I’d never be able to read them in time and feel guilty. I lost access to a lot of books and, consequently, my rating went down. So, I walked away and decided to read the books I wanted to buy. Then I realised that NetGalley were offering audiobooks. How perfect? I find it much easier to fit in an audiobook in my schedule. So, I went on and requested a bunch. This was the first one that I got and I was really happy. I’d been interested in this collection but, I admit, I’d been left scared after The Wall didn’t really do much for me. Could this collection be as good as it sounded?
I have to admit to something, I never got round to watching Uncut Gems. Phew, that’s a weight off my chest. At the time that it was really doing the rounds, I was desperately trying to watch all of the Oscar nominated films and, unfortunately, it was totally ignored by the Academy. I always intended to catch up but it never happened. Not because I didn’t think it would be good but because it just seemed so heavy. I mean this year is heavy enough. The reason I bring it up is because Uncut Gems could very well be the reason that Hubie Halloween exists. Before awards season kicked off, Sandler made a vow that he would make the worst film possible if he wasn’t nominated for an Oscar. 10 months on and another Netflix original hits us. So, was it really going to be the worst of his vast and often uninspiring career? There was only one way to find out.
In my review of Love, Guaranteed on Tuesday, I suggested that my main motivation for watching it was to escape from reality with something ridiculous. That was partly the case. After all, the more news I watch the less energy I have for dramatic narratives. However, I won’t pretend that it was my only motivation. Really, I wanted to use it as an excuse to rewatch She’s All That. I can’t remember the last time that I watched this film but, for a time, it was definitely something I watched all the time. Along with 10 Things I Hate About You, this was a film that had a prominent place in my teenage years. I clearly didn’t have great taste at the time but I don’t think anybody really does in their early teens, right?
I haven’t been a massive fan of romantic comedies since I was a stupid tween but I can definitely see the appeal this year. There is so much awful stuff going on in the world that escaping into a rom-com seems like the perfect thing to do. There is a familiarity about these films that is pretty comforting. You know where you’re going to end up before you’ve even started, so you can just sit down and let it all wash over you. Considering the rest of the world is in utter turmoil, there’s a lot to be said to knowing what to expect. This is my only explanation for sitting down to watch the new Netflix original romantic comedy despite the fact that I knew I wasn’t really going to enjoy it.
Each week I have to decide which movies that I watch and some weeks are harder than others. I tend to pick something to review on Tuesday first and then try and base the TBT film around that. I like it if they have a common theme but am willing to mix things up for a special occasion (like last week’s unexpected Scott Pilgrim repeat). This week, however, I mixed things up even more. I was looking through Netflix for inspiration and was all set to watch The Peanut Butter Falcon. Then I saw the new Netflix original dance film. I knew that it would be terrible but, in it’s unoriginal concept, I saw the perfect opportunity to watch a film that I suddenly had a massive desire to watch. If I sat through this silly teen romp, then I would be able to watch Save the Last Dance. I hadn’t thought about that film for a long time but, apparently, I’ve been longing to watch it. So, I went for it. Of course, now I also have a desire to watch Bring It On, which means the question of my TBT is still up in the air. So, that’ll be a nice surprise for you. Unlike the narrative of Work It.