Do you ever bother with signed editions? I’m not talking about being lucky enough to meet an author in person and getting them to sign it. I’m talking about those books that are already signed and, most likely, cost a little bit more than the usual hardback. I try not to care and will normally only bother with signed books by authors I really love. Of course, there may be an occasion when the signed edition is cheaper on Waterstones than the unsigned. In that case, I’ll definitely go for it but, really, I don’t see the point. If it’s not personalised, it’s just a bit meaningless, right? It’s not as I expect them to become investment pieces that I’ll hand down to my children. Nor am I showing them off to everyone I know. The signature is just a thing that exists and makes very little difference to my life. Why am I banging on about this? I pre-ordered the hardback signed copy of Come Again but it has sat on my shelf since April 2020. I do this all the time and I don’t know why I never learn. I am so desperate to get certain signed editions but then let them languish on my shelf. I definitely have a problem.
I was incredibly excited the moment that I found out that there was going to be a sequel to Toshikazu Kawaguchi’s Before the Coffee Gets Cold. It was one of my favourite books of 2019. In fact it was number 2. Only beaten by the exquisite comedy of Richard Ayoade‘s examination of the film View From the Top. The first book, adapted from Kawaguchi’s play of the same name, was such an unusual but engaging book. I had never read anything quite like it, so getting the chance to revisit his work was most welcome. It was released at an great moment and really helped pull me out of my reading slump. After taking a week or so to finish The Thursday Murder Club, it only took me a couple of nights to get through this. Hopefully, this means I’m back to normal. Definitely a good thing because my non-review bookish posts ideas aren’t exactly inspiring.
I’m not saying I’m her biggest fan but Vanessa Hudgens has done some good stuff, right? Well, she was in Spring Breakers at least. So it does beg the question, how has she got stuck making awful romantic comedies for Netflix every Christmas? You have to wonder what they have over her? Do they know something she wants to keep secret? Or are they holding someone she loves hostage? We’ll probably never know. What we do know, is that she deserves better than that. Last we had her Christmas version of The Parent Trap/The Lizzie McGuire Movie with The Princess Switch. It was dreadful and she was forced to speak with a dreadful British accent for one of the roles. This year, she’s back with The Knight Before Christmas. And I have to say, I bloody love that title. Obviously, I love a pun in any situation but a Christmas pun too? There is a lot of potential in that title alone. But surely, knowing what we do about Netflix Christmas films, it wouldn’t live up to?
Imagine that I’m feeling pretty smug right now. Not only have I finished another book this month but I’m posting my second book review of the week. I don’t think I’ve ever been in a position to write two reviews in the same week. But I’ve had a productive weekend. I finished The Turn of the Key in a couple of days and managed to get most of the way through this book by Sunday evening. By that time, I was also ahead with my blogs for the week. I wrote my Sunday Review, Tuesday Review, and Book Review in no time. Guys, I think I’m actually becoming productive. All these years that I’ve been talking about it and it might actually be happening. Although, I know for a fact that the multiple reviews in one week won’t keep happening. I may be smug but I’m not delusional.