In light of all of the Covid nonsense, I’ve really not been keeping track of awards season this year. I’ve barely watched any of the nominees. Or at least I’m pretty sure that I haven’t because I don’t even know who all of the nominees are. I’ve just lost my way with films and decided that there were other things to focus on this year. Plus, it isn’t really the same when you can’t head out to the cinema. Despite my Oscars blackout, I was still overjoyed to wake up to the news that this year’s ceremony had made history. Anthony Hopkins became the oldest person to ever win for acting. Daniel Kaluuya picked up the best supporting actor and became the first Black British actor to win an Oscar. Then there’s Chloé Zhao who became not only the second woman to win Best Director but also the first woman of colour. It’s quite the positive step for the Academy. Emerald Fennel was given recognition for her screenplay and became the first person since 2007 to win. This was only one that I was really invested in. I was desperate for Fennel to win. Why? Not only was the film important and original but I’m becoming obsessed with Fennel. She seems like a fantastic human being with a unique creativity. This was one film that I knew I had to see as soon as possible.
I have a problem with Bookstagram. My problem being that I can’t stop myself from buying the books that I see people raving about. This was one of those books. Last year this book seemed to be everywhere and I hadn’t heard anyone say anything negative about it. Of course, I was slightly skeptical. I mean book that starts off by comparing itself to Get Out and Rear Window has some pretty high expectations of itself. It’s safe to say that I have been pretty dubious about contemporary thrillers. I find the majority to be superficial and not very thrilling. Of course, the added theme of racism and gentrification of this narrative had got me interested, so I decided to go against my natural instincts. Could it possibly change the genre completely? Especially when it sounded pretty similar to the plot of Vampires vs the Bronx.
I finished Twleve Nights about 2/3 days before the end of 2020 so I had a bit of a conundrum about what to pick next. I wanted something that I could definitely finish in time because I hate the idea of carrying a book over. I feel like a failure and I don’t like that it skews my final count. I picked this one up even though it’s the longest book I’ve read for ages because I was being cocky. Of course, when it got to the morning of the 31st, I still have about 200 pages to go. Considering we were babysitting my niece during the day, it didn’t leave me with a great deal of time to read either. So, as soon as she left, I retreated to my room and didn’t come out until I’d finished. As it turned out, I finished it in about 2 hours, which goes to show how much more I could achieve if I just took the time to read properly. Anyway, I did what I wanted and got it finished. But was it the best book to choose as my final book of the year?
It was genuinely shocking to wake up on Saturday morning to the news that Chadwick Boseman had died after battling cancer since 2016. The actor had kept his medical struggles a secret even as he carried on working. Think about it, he’s given us 3 turns as T’Challa, a biopic about Thurgood Marshall, and Spike Lee’s Da 5 Bloods. All while battling cancer. And not just that. Boseman had already become something of an acting legend and his role as the Black Panther only cemented his importance to Black people all over the world. He will be remembered for all of the work he did to bring Black stories to the big screen and for sticking to his beliefs. You can see how much he meant to people all over the world by the outpouring of grief on social media this weekend. 43 is far too young for anyone to leave us and Boseman’s passing will be felt for a long time to come.
Recently, there was a drama on Channel 4 starring David Tennant called Deadwater. I was really excited about it because, you know, David Tennant but I only ended up watching the first episode. It just didn’t grip me but that’s okay. The reason that I bring it up is that I read a review about it that revealed a big plot twist. The review talked about how great and unexpected it was. I couldn’t believe what I was reading. The twist was so obvious that you could tell from the trailer. It’s infuriating. Am I seeing something different from other people? Or are they just unwilling to see what’s right in front of their face? Maybe I’m just too cynical to take anything at face value? I don’t know but what I do know is that psychological thrillers never surprise me these days. Just look back at all my book reviews for this genre and you’ll see the phrase “painfully obvious” crop up plenty of times. I just don’t think anyone has any original ideas anymore. All psychological thrillers try and do is be darker and sexier than the last one. And, though I’m happy for those things to exist in a book, they shouldn’t be the only reason for a novel’s existence. There is no substance in novels like that. It’s just a writer trying to shock but not being good enough to hide their intentions. It makes me angry to see so many shit books being published and then praised by so many people. Of course, I also never learn and continually get drawn into them. Most recently with this one.
I’m not a fan of horror films. I never have been. When I was a child, I used to freak out about everything. My sisters still make fun of me for not being able to watch the part of The Neverending Story with the creepy eyes in the cave. The first time I watched Jurassic Park I couldn’t sleep because of the spitty dinosaur. I’m happy to say that I’m much better now but I still can’t be bothered with most contemporary horror films. They’re just a load of jump scares put together with a super flimsy and silly plot. Either that or torture porn like the Saw movies. It’s just not something I want to spend my time watching. Which means, next week on October 31st, I won’t be enjoying a horror movie fest. I might see if I can find a classic to watch but I’d rather spend the night reading a scary book. So, for this week’s Friday Favourites, I wanted to list some of my top spooky reads for Halloween.
I really am getting to the point know where a lot of the 1988 films that I only have the more serious films left to pick out of my TBT jar. Mississippi Burning, Cinema Paradiso, Colors, Gorillas in the Mist are films I am sure will be worth watching but I’ve kind of got used to watching the sillier ones. I normally end up watching these films on my day off when I’m not really in the mood for an intense 2 hour plus watching experience. I’ve come to enjoy the fact that there are so many films from the 80s that don’t make it too far past the 90 minute mark and many that don’t even make it that far. And, really, that’s a good thing. I’m not suggesting that all films need to be shorter but I’m a busy girl. Okay, nobody believes that. I’m a lazy girl. I just need highly concentrated bursts of cinema. Preferably with dodgy special effects or weird narratives. Oh, and a whole bunch of actors who make me sit there with my head to one side thinking ‘where do I know them from’. I can’t even start to work out how much of this film I spent madly searching IMDb to find the movies I’d seen certain people in.