Fucking Bradley Cooper, man. I can’t say that I’ve ever been a massive fan but, once again, I seem to be in the minority. We’re in a situation in which the guy has been nominated for an acting Oscar 4 times. 4 times! One Best Supporting and three Best Actor. I just don’t get it. His best role to date, in my mind, is his voice performance as Rocket Raccoon. His performance in Silver Linings Playbook was messy and over-the-top. His performance in American Hustle wasn’t exactly stand-out either. Basically, I’ve just never seen him do anything that really wowed me. He’s just been lucky enough to be surrounded by better actors who make manage to disguise him. So, when I heard he was starring in and directing a remake of A Star Is Born I was hardly queuing up outside the cinema to see it. But then is got all sorts of fucking praise and attention during awards seasons. I kept putting this film off for as along as possible but I finally had to accept that I needed to watch it. So I did. And I have some thoughts.
What? A review? On a Sunday? No, you aren’t going mad. I’ve decided that, in order to get all my pre-Oscar reviews up before the big day, that I’m going to have to change my schedule for a bit. I started writing this yesterday but ended up feeling so bad that I went to bed early. But that’s not important because, at this point in my life, I have watched all of the Best Picture nominees. The only ones I want to try to watch before the ceremony, if I have the time, are The Wife and At Eternity’s Gate. But, if I don’t then I won’t do feel bad. I managed to watch the films I wanted to and well on time. Unlike last year when I was watching them up to the last-minute pretty much. I think I saw my final one the day before the ceremony. In fairness, there were 9 nominees last year. That’s a whole extra film to find the time for. It was tough! But I digress… So, I’ve seen all the nominees but I still need to review 3 of them. And, let’s not forget, the actual ceremony is on February 24th which is just over a week away. If I’m going to have the reviews up in time then I need to hurry the fuck up. Meaning the fact that I’m starting my extra reviews with a non-Best Picture film is kind of absurd… but I watched this before the other two. And I’m not really looking forward to having to write the final 2. To say I have mixed feelings about them is an under-statement.
I’m going to be honest, I’d forgotten that today was Tuesday until a few minutes ago. I was happily sorting everything out and trying to organise my shit when I realised. I needed to hurry up and write this damn review. It’s all because my shifts have changed this week so I’m all off. I keep thinking it’s Sunday or something. But it’s not and I have another Best Picture nominee to review. The BAFTAs took place on Sunday and, despite having several nominations, Vice didn’t do too well out of the ceremony. Winning an award for Best Editing, it missed out on the other 5 categories it was up for. Christian Bale looked like a real contender for Best Actor but Rami Malek beat him out. Whether that changes Bale’s chances at the Oscars remains to be seen but, if you ask me, he’s still a pretty strong possibility. Malek was great but will it speak to the Academy? Especially when Bohemian Rhapsody was so disappointing. Who can say? But, all I know is, it’s never a good idea to discount Bale whenever he drastically alters his appearance for a role. I mean the guy even went to the lengths of thickening his neck. If that’s not commitment to a character then I don’t know what is.
After last week’s disappointing Bohemian Rhapsody, I was ready for a better Best Picture nominee to review. So, I went for one that I’ve been looking forward for ages. Any story that sounds so insane yet is based on a real-life event is something you just have to watch, right? Plus, and without wanting to prove just how superficial I really am, Adam Driver is looking good in that trailer. I admit that I kind of lost interest thanks to his nipple-height trousers from that scene in The Last Jedi but the minute I saw him in a plaid shirt I was back. And it’s great that he’s been given a nomination for his role here. Hell, it’s great that this film got a Best Picture nomination. Not only because I get an excuse to watch it but also because of the lack of recognition for If Only Beale Street Could Talk. Barry Jenkins obviously killed with Moonlight but the Academy have done the least possible for his latest film. Neither the director or the film are being recognised. I know I haven’t seen it yet but everything I’ve seen leads me to believe it deserves a place. Especially now I’ve seen Bohemian Rhapsody. But we can’t have everything.
You find me feeling really annoyed today. As you know, I had intended to finish watching all of the films nominated for the Best Picture Academy Award before the Oscars. I managed it but failed to get down my predictions for the awards. To be honest, I was so tired after work on Sunday that I fell asleep. It’s a problem I often have. What can I say? I love to nap. If I had published my predictions I would have been pretty much 100% accurate. The only one I refused to call was Best Support Actress because it was a tough call. Every other main category, I got right. Of course, saying this without proof is meaningless. However, I was one of the few people who correctly saw that Three Billboards wouldn’t win Best Picture. Not that it was a terrible film; it just isn’t an Oscars film. The Shape of Water was the obvious winner. It was beautifully made and beautifully performed. It was an all-rounder. The only one that might have beaten it? Lady Bird. Frances McDormand and Gary Oldman were, basically, unstoppable. And Sam Rockwell. Sorry to anybody else in that category but he was the star. My only upset at the awards was the lack of award for Greta Gerwig. I knew Guillermo Del Toro would win but it would have been a great move for the Academy to give the female director her due. It just goes to show, no matter how well #Timesup and #Metoo are doing, there is still a long way to go for gender equality. And let’s not even get started on racial equality. Hollywood may be improving but it’s still a man’s world.