Do you remember a few weeks ago when Matt Damon tried to tell us that leading men were no longer a thing? Meaning that audiences only care about franchises and not who is in a film. Of course, what he was actually saying is that audiences don’t care when he’s in a film any more. After all, there is plenty of evidence that goes against what he’s saying. The star of today’s film is more than enough evidence to the contrary. Deadpool wasn’t a success because it’s a comic book movie. That didn’t hurt it, obviously, but it wasn’t the reason for the success. Ryan Reynolds played a huge part in making that film everything that it became. In fact, I’d say that Ryan Reynolds is one of the biggest and most consistent draw for film audiences. It’s no wonder it’s been doing so well since its release.
Sometimes it sucks living in certain parts of the world. Jojo Rabbit came out in October 2019 in the US. In the UK, we had to wait until the New Year before we could see it. Talk about unfair. By the time I finally saw the film, it felt as though I’d been waiting for years. Of course, when it was released a lot of people in America thought it was tasteless to release a comedy film about Hitler. It’s such a ridiculous notion. There is a strong history of satirising figures like Hitler. Look at the propaganda that came out of World War 2. Look at Charlie Chaplin’s The Dictator. Look at The Producers. We use comedy as a way to belittle and take power away from these people. The ability to see comedy in situations like this is important. For one thing, it helps us learn from them and see these moments in history for what they are. I’m not saying you should go too far or get too offensive. It’s important to be respectful. But, if you can’t find the funny in Taika Waititi wearing bright blue contacts and pretending to be Adolf Hitler, then I don’t know what you’re looking for in a comedy film.