films, reviews, TBT

FBF – A Night at the Roxbury (1998)

a_night_at_the_roxbury5_star_rating_system_1_starΒ So, you may have noticed that this week’s Throwback Thursday post is actually a day late. And, if I’m honest, I nearly didn’t write it at all. I ended up meeting a friend yesterday so couldn’t get time to post. And today? Well, I just couldn’t be bothered. I watched the film earlier in the week and it left me totally uninspired. But I’m here. Trying to stick to my schedule. If I start letting myself believe that I don’t have to do things then I won’t do them. It’s like Instagram. I’m having a massive Instagram crisis and I keep telling myself it doesn’t matter. Which, to be fair is true but that’s not the point. The whole reason for keeping this blog up and doing my Instagram stuff is to help in my career. Now, I’m not being delusional. I know that this isn’t going to get me anywhere but it means I can try things that might help at work. So, yeah, what I’m saying is you’re my test subjects. Don’t you feel special? At least I kind of know what I’m talking about with you guys. I work for a company that sells football kits so, now I’m in charge of their blog, I have to write a football related post every week. I know nothing about football. I don’t even know the vocabulary. In the last week, I’ve used the word “cross” in a football-related context countless times never knowing if I was using it correctly! Best not to dwell.

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films, reviews

Tuesday Review – Wine Country (2019)

220px-wine_country5_star_rating_system_3_starsΒ I didn’t get a chance to watch a new cinema release this week so I turned to Netflix. I’ve not really been keeping up with Netflix original films of late. I watched Rebel Wilson’sΒ Isn’t It Romantic one boring bank holiday weekend. It was almost as dire as I’d expected but I guess it wasn’t all bad. Not as funny as it thought it was but the overall message wasn’t as dire as it seemed. But it still wasn’t enough to suggest that Netflix had turned itself around in terms of original comedy films. We’ve discussed my feelings about this in the past but, as I’m never against talking about it, I’ll remind you of them. Netflix comedy films suck. They are never original or clever. It’s just basic stories mixed with big-name stars to draw people in. To be fair, it’s a fantastic strategy in terms of getting viewers but it doesn’t make for critically acclaimed features. But, with the announcement that Amy Poehler’s directorial debut was coming to Netflix, surely things were about to change? I mean Poehler reuniting with plenty of SNL alumni in a female-based comedy about middle age? It sounded like it could be perfect.

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