I think I’ve made it pretty clear that I’m not a big fan of YA. Not only am I way beyond the age where I want to read about non-stop teenage drama but I also find it a bit basic for my tastes. I always just wish the book went further or the author went deeper. I so often get bored by the unoriginality of the plots. I’ve very rarely read a YA novel when I didn’t know how it would end after the first few chapters. However, I’m also not the kind of person that will completely write off a genre. I’m sure there must be a bunch of YA books out there that really speak to me. So, I won’t stop trying. I’ve seen this book around and heard so much praise for it. I had to give it a go.
It’s safe to say that my Sunday didn’t exactly go to plan. I was intending to get stuff sorted. Mostly organise my week’s photos and then read this book. Thanks to unforeseen events, that didn’t happen, so I was rushing to get this book finished in time for this review. Good job it’s a pretty short book and one that is easy to read. I just about finished with enough time to spare. I was a bit later in getting to bed than I’d hoped but we can cope with that.
If you ask the wrong person, you’ll no doubt be told that the horror genre is going through something of a revolution right now. That it is moving away from its traditional reputation as the trashy and pulpy outcast of the literary world. A recent article in the Guardian prompted some people on Twitter to celebrate the fact that horror was finally becoming political and literary. Well, that’s one way to admit that you don’t know anything about horror fiction. It also has nothing to do with the actual article. The basic argument of that seems to be, look at these minority voices who are now writing horror novels. Just because someone who isn’t white is writing a certain genre doesn’t mean it is only just becoming political. It’s just becoming more diverse and rightly so.
I was convinced that I wouldn’t manage to complete my Spell the Month reading challenge in July. I’d struggled to find a J title anyway and then I’d left it to the last minute. I figured this would be a quick one but I just couldn’t get myself in the reading mood. Thankfully, on Friday I managed get myself sorted and finish the baby off with time to spare. It’s a book that I hadn’t read before. In fact, I’ve not read nearly enough Toni Morrison. I’m glad to have finally crossed this off my TBR.
I have a problem with Bookstagram. My problem being that I can’t stop myself from buying the books that I see people raving about. This was one of those books. Last year this book seemed to be everywhere and I hadn’t heard anyone say anything negative about it. Of course, I was slightly skeptical. I mean book that starts off by comparing itself to Get Out and Rear Window has some pretty high expectations of itself. It’s safe to say that I have been pretty dubious about contemporary thrillers. I find the majority to be superficial and not very thrilling. Of course, the added theme of racism and gentrification of this narrative had got me interested, so I decided to go against my natural instincts. Could it possibly change the genre completely? Especially when it sounded pretty similar to the plot of Vampires vs the Bronx.
This week it was announced that, in honour of Chadwick Boseman’s death, his film 42 would be released in cinemas again. As cynical as I might be about the move, it is a wonderful way to celebrate his work as an actor. It was also a great excuse for me to watch it for this review. I have to be honest, I’m no fan of sports movies. Well, aside from The Mighty Ducks, Little Giants and Space Jam. It’s mostly because I don’t really care about sports. I can think of thousands of things that I’d rather be doing than sitting down and watching people kick/throw/hit a ball around a pitch. It’s not so surprising that one of those things isn’t sitting down and watching a formulaic film about people kicking/throwing/hitting a ball around a pitch. And I don’t know anything about baseball. It’s just complicated rounders. However, it felt like the right thing to do.
I’m not normally much of a documentary watcher. If you ask me why I’d probably give you the excuse that I don’t have the time. That I have so many other films to watch and so many books to read. This is clearly nonsense. What I’ve discovered over the past few weeks is that I’m not as great an activist as I’d like to believe. It’s not that I don’t believe in the causes that I go on and on about. It’s more that I’m often too afraid of putting my money where my mouth is. Not watching documentaries like this is just another way to shield myself from real life. It helps me stay inside my little bubble where I can pretend that the world isn’t as bad as it actually is. So, as part of my vow to live a more non-racist lifestyle, I’m making sure that I watch all of the films that I let pass me by. As I’d already read James Baldwin’s If Beale Street Could Talk this week, it only seemed right to start here.
I must have first read this book just after it was published but, honestly, I don’t remember much about it. I don’t think I really paid attention to it. I was a bad reader in those days. There are plenty of books series that I started but didn’t really take in. I think I was just reading for the sake of it. So, I never really had that great awakening thanks to Malorie Blackman. It’s a book that I always wanted to read again and give a better go. It also helped that the BBC adaptation was coming out and I didn’t want to watch it until I’d reread it. Of course, it got pushed back thanks to my ever-increasing TBR but the recent Black Lives Matters protests have pushed all books about race to the top. I figured this would be a relevant and quick read. As anyone who has ever read my review of The Power will know, I’m not always a fan of role reversal narratives. A lot of the time, they can be a bit cringe and heavy-handed. But this is one of those books that everyone loves. I went in expecting to enjoy it.
I was drawn into Such a Fun Age as soon as I read the concept. Emira Tucker works as a babysitter for a rich white family. Her employees are Peter and Alix Chamberlain. He is a local news anchor in Philadelphia and she is a lifestyle blogger who writes letters. One evening, Emira is asked to take their three-year-old daughter Briar out. While at a nearby grocery store, the babysitter is stopped and accused of kidnapping her young charge. I thought I knew where this novel was going but it kind of pulled the rug out from under me. We’ve seen this kind of thing going viral. With police officers or authority figures unnecessarily stopping young black people for crimes they didn’t commit. This novel could easily have drawn on those viral videos but it went deeper than that.