In my review of Guillermo del Toro’s Pinocchio, I criticised the 2022 Disney version. I haven’t actually watched it. I felt bad enough about it that I actually did this week. I’d originally been planning to watch Everything Everywhere All at Once. I guess that can wait for another week. Instead, I’ll watch Tom Hanks talking to a CGI wooden boy. Even though I know there’s no way that it’ll be as good as del Toro’s version. How could it be?
Film Review – Guillermo del Toro’s Pinocchio (2022)films, reviews
The Netflix film debate is a weird thing. Not only is it ridiculous that certain people seem to be gatekeeping cinema but it refuses to accept that the way people consume media has changed. Why should it matter whether people watch films on a massive screen with a bunch of strangers or at home with their loved ones? Yes, I agree that going to the cinema is a joy but I’m also well aware that I haven’t really been to the cinema much since Covid. We also have to question why, if streaming services are ruining the film industry, so many famous directors are releasing films on it? Martin Scorsese, Bong Joon-ho and now Guillermo del Toro are just a few of the great filmmakers who are now Netflix official. If films should only be watched at a cinema then why are they so willing to take their money?