Film Review – Nomadland (2020)

films, reviews

Rating: 5 out of 5.

I’m still pretty far behind on recent Oscar winning films. I barely watched anything during the various lockdowns as I much preferred something lighter and sillier during that period. Thankfully they’re all becoming widely available now, which makes catching up really easy. The other day I remembered that this was on Disney+ and decided it finally was time to watch it. Yes, I’m extremely late to the party but let’s not worry about that too much. What matters is that I’m watching it at all.

Film Review – CODA (2021)

films, reviews

Rating: 3.5 out of 5.

I promise that after this week, I won’t ever mention that thing that happened at the Oscars again. Mostly because my opinion of what happened doesn’t matter. Also because we’ve wasted too much time discussing it. What I will say, is that it did take a lot of attention away from the important things of the night. Important things like this film. Had the ceremony gone off without the drama, CODA would have been the thing that everyone was talking about. It’s a very un-Oscars film but it walked away with Best Picture. It should have been the talking point. After all, it could have opened up more people to actually see it. I know it did anyway but it could have been bigger. Like when Parasite won in 2020 and a shit ton of people who would never have watched a Korean film actually bothered to see it.

Film Review – The Eyes of Tammy Faye (2021)

films, reviews

Rating: 3 out of 5.

So, last night’s Oscars ceremony was pretty memorable, right? It’s a shame that Chris Rock’s bad and offensive joke is the thing that people will remember more than anything. I know most people are focusing on Will Smith’s reaction, and it’s not something I’m dismissing. However, the conversation should really be about why that joke was even made in the first place. You might think I’m a little oversensitive as a fellow alopecia sufferer but that doesn’t make Rock’s joke any less misogynistic, disrespectful and totally unnecessary. Why bring her into it? Why make a joke about an illness that she can’t do anything about? Fuck, Chris Rock.

Film Review – The Father (2020)

film, reviews

Rating: 5 out of 5.

I missed a lot of films that came out in 2020 and 2021 because I wasn’t really in the mood for films. Lockdown and covid really hit me and I stopped bothering to keep up. This means that I’ve missed a lot of great films. Last year was the first year that I hadn’t watched all of the big Oscar nominees before awards season. So, as well as trying to watch new releases, I also want to revisit some of the films I missed. Why I started with this one is beyond me. I knew it wouldn’t leave me in a good place but the draw of Anthony Hopkins and Olivia Colman was too strong. What a pair.

Friday Favourites: Tom Hanks movies

films, Friday Favourites

I appear to be having a bit of a Tom Hanks moment right now. I reviewed Sully the other week, A Beautiful Day in the NeighborhoodA Beautiful Day in the Neighborhood on Tuesday, and Splash on Thursday. I decided that I might as well embrace it by picking my favourite Tom Hanks films. Though, I quickly realised that I’ve not watched a great deal of them and, of those that I have watched, I don’t like many. I think Saving Private Ryan is just messy even though Hanks gives a great performance. I think Big is creepy. Forrest Gump isn’t as good as everyone says that it is. As a person who gets bored by romantic comedies, I can only just appreciate his films with Meg Ryan. So, I really started to worry that I didn’t really have any favourite Tom Hanks films. But I have no other ideas for today’s post so what the hell. There are a few that I’ve missed off not because, though they are good films, I didn’t quite enjoy them as much. This isn’t just about quality. We can’t only love Oscar-worthy films, you know.

Motherbooker's 2020 Oscars Predictions

Motherbooker’s 2020 Oscars Predictions

films, Oscars

Motherbooker's 2020 Oscars Predictions

photo created by freepik –

We’re finally here. It’s Oscars Night. I’ve also managed to watch all but 2 of all the films nominated this year (Maleficent: Mistress of Evil and The Lion King). I didn’t think I’d manage it but we got there. This means I finally feel ready to put down my predictions for how the show’s going to go. However, there are no real definites I guess. I mean, has anyone got over the shock that was Green Book winning Best Picture last year. The Academy is unstable and, as we can see from the nominations, aren’t always concerned about who or what is really the best. The Oscars are even more political and insane than Eurovision. But this isn’t the time for another rant. This is a time to predict the result of a stupid system that will be streamed to the world from a glitzy and expensive award show that really doesn’t need to exist. But at least everyone attending gets to dress up again this year.

TBT – Kramer vs Kramer (1979)

films, reviews, TBT

oscar_posters_79 5_star_rating_system_4_stars1 Today really does mark the end of Christmas. I’m back at work this morning after an 8-day break. It’s just flown by. It obviously didn’t help that I spent so many of the days in bed. But I’ve had a lovely time off and it’s been so nice to actually have a Christmas holiday for a change. I’m not looking forward to getting up in the morning. I’ve become too used to being able to get up whenever I want. I confess that I’ve been somewhat leisurely when it comes to getting out of bed. I set the alarm for 8 o’clock and get dressed at about 10. It does mean that a 7am wake-up call seems hellishly early. Though, I am looking forward to going back. If nothing else, it will mean that I might finally be able to work out what bloody day it is. I hate that period between Christmas and New Year when you don’t know what’s going. When every day fees like Sunday. When you can’t even work it out by watching TV because the schedules are all fucked and they’re only playing films. I love Christmas but I can’t wait until life feels a bit more normal again.

Throwback Thursday – The Theory of Everything (2014)

films, reviews, TBT

the_theory_of_everything_282014295_star_rating_system_4_stars1 I’ve never been a science person. I just don’t have the right mind for it. If you don’t believe me then you can ask my school teachers. I was definitely best at chemistry which is the only reason behind my implausible decision to study it for my A-Levels. My friend and I were so bad at the subject that, upon hearing we were both applying to Oxford, our teacher laughed at us. Turned out this was quite an astute assessment as I didn’t even get an interview but still mean. Still, it does go to highlight my obvious lack of a scientific mind. I’ve always been more of the dreamy and creative type. Still analytical, obviously, but with a more sentimental than structured focus, I guess. When faced with numbers and equations I just don’t really care. Give me words, music, or art and I’m much more comfortable.

FBF – Room (2015)

films, reviews, TBT

room_282015_film295_star_rating_system_4_stars1 It’s Friday and I’m only just posting my TBT review. This can only mean one thing. I’m massively behind schedule. I had an impromptu night with my sisters on Thursday and didn’t have the energy to write anything last night. So, I’m here on Friday night with midnight fast approaching trying to get myself to finish this damn review. And I’ll do it, goddamit, if it’s the last thing I do. Because this week’s film is a genuinely good film for a change. After watching Jacob Tremblay in Good Boys there was really only one film that I could watch. Okay, there were two films but I have weird memories of watching Superbad for the first time that I don’t need to think about right now. So, instead, I went back to Room. The film that saw Brie Larson become an Oscar winner before Captain Marvel saw her become hated by Marvel fanboys all over the world. It also introduced the world to the adorable Tremblay and put him in a tiny suit at the Oscars. More than deserving of a rewatch.

Throwback Thursday – Moonlight (2016)

films, reviews, TBT

mv5bnzqxntiyodaxmv5bml5banbnxkftztgwnzqymda3ote@1871318217474963557..jpg5_star_rating_system_5_stars I feel like I’ve lost a year somewhere along the way. After reviewing If Beale Street Could Talk last week I decided it was a good excuse to revisit Moonlight. In my head it was only last year that Barry Jenkins and his team went through the trauma of hearing the wrong film named Best Picture. Turns out 2018 happened at some point and that momentous occasion was 2 years ago. It’s weird because I loved so many films from last year that I don’t know why I can’t remember them. I guess it’s probably just old age and an awful reminder that I’m no longer the 16-year-old I continue to believe that I am. Really, I need to stop watching films like Moonlight and Boyhood because it is impossible not to feel all introspective. And we know that that’s a dodgy road to walk down. So, let’s get onto the reason we’re here. I never review Moonlight on this blog when it came out so it seems as though the time was right to rectify that.