I did something a little different on Tuesday and reviewed (if you can call it that) the most recent season of The Crown instead of a film. As you know, I like to try and tie my Tuesday review and TBT review together, so I had a couple of choices for what to watch today. It was between this or The Iron Lady. I’ve not actually seen the whole of The Iron Lady because I got bored quite quickly. Also, I remained unconvinced that Phyllida Lloyd should be allowed to direct films. I guess that meant that I should probably have watched Meryl Streep take on the role that Gillian Anderson made unnecessarily sexy in The Crown. However, I really couldn’t face it. So, I went back to this 2006 film that I have seen before. It’s not a personal favourite but I, at least, knew that I could deal with it.
I’ve experienced quite a few reading slumps over the years but never a film slump. It’s probably just another consequence of 2020 but I just can’t be bothered with films right now. Last week, I left it to the last minute to watch both Over the Moon and Coco. This week, I didn’t watch anything. I spent most of Sunday finishing off Pizza Girl and then started binge watching season 4 of The Crown. It’s not that I didn’t have the time. After all, I got through 7 full episodes that night. It’s just that I’m not in the mood. The Crown is the perfect kind of viewing for a time like this. I’m not overly invested in the show but was still interested enough to keep going. My only issue is that I can’t actually decide if I like it or not.
Over the last few days, we’ve seen a few films being made free to stream in the US. These included Selma and Just Mercy. Both films should help educate people about the role of race in their society. It’s a great thing to do because there will be plenty of people who won’t have previously had access to them. Of course, Hollywood films that depict the difficulties faced by black people in America are all well and good but it’s facts that are needed in this fight. Which is why Netflix’s decision to make Ava DuVarney’s documentary 13th free to non-subscribers is so important. There’s a reason that it has appeared on so many lists of ways you can educate yourself. It’s a great place to start if you’re the type who is unconvinced by the idea that society has been engineered to make black lives difficult. If you go in with an open mind, it’ll definitely have the power to shock you.
I always wonder what’s wrong with the people who wish they’d been born in another year. Like all of those Tumblr teenagers who wish they’d been born in the 80s. It doesn’t make any sense. Yeah, I love John Hughes movies and glam rock as much as the next person. But living in the 80s? I don’t think so. The only people who ever say things like that are the people who only know that era through a microcosm. Ask the people who lived in the 80s, they’d probably tell a different story. Certainly in England, the 80s weren’t the magical place so many young people want to believe it to be. The economy had gone to shit, people were out of work, there was so much violence and hatred on the streets. Kinda like now but with even bigger shoulder pads and double denim. It wasn’t a great time overall. I’m sure people made the best of it but it will have been so difficult for so many. To romanticise any era of the past solely based on your pop culture/fashion tastes is to trivialise the reality of that time. And, as you can tell, it annoys the fuck out of me.
After last week’s disappointing Bohemian Rhapsody, I was ready for a better Best Picture nominee to review. So, I went for one that I’ve been looking forward for ages. Any story that sounds so insane yet is based on a real-life event is something you just have to watch, right? Plus, and without wanting to prove just how superficial I really am, Adam Driver is looking good in that trailer. I admit that I kind of lost interest thanks to his nipple-height trousers from that scene in The Last Jedi but the minute I saw him in a plaid shirt I was back. And it’s great that he’s been given a nomination for his role here. Hell, it’s great that this film got a Best Picture nomination. Not only because I get an excuse to watch it but also because of the lack of recognition for If Only Beale Street Could Talk. Barry Jenkins obviously killed with Moonlight but the Academy have done the least possible for his latest film. Neither the director or the film are being recognised. I know I haven’t seen it yet but everything I’ve seen leads me to believe it deserves a place. Especially now I’ve seen Bohemian Rhapsody. But we can’t have everything.
So, I’ve broken my book buying ban with only one fucking day to go in the month. Why did I do it? Because I knew that I wouldn’t finish either of the books I’ve got on the go by the time I had to write this review. So, I popped into my local bookshop to see if I could find a quick read that looked interesting. I found it in the small selection of graphic novels and, after reading the quote on the front, decided I couldn’t not read it. “A story of courage and heroism to inspire young people everywhere.” I mean who could ignore an endorsement like that? Especially when the back cover reveals that Malala Yousafzai was also a fan. The graphic novel version of Deborah Ellis’ The Breadwinner is actually the adaptation of the 2018 animated film based on the book. So, I have just read the novelisation of a film I haven’t seen that was based on a book I haven’t read. Whatever could go wrong?