I’ve been listening to a lot of Podcasts at work lately but I don’t like to listen to the grown-up ones. I tend to listen on my way to and from work and during the quieter times in the office. So, they need to be light and not distract me from what I’m doing. Obviously, film podcasts are up there for my listening pleasure and I’ve just started getting into a new one. I plan on talking about that in-depth later this week but, for now, a recent episode has inspired me for this TBT post. In one episode, Nish Kumar (British comedian interested in politics and social commentary. Also, one of my weird comedy crushes but enough of that) was talking about how he can’t watch Woody Allen movies any more. And I get it. I’ve read Dylan Farrow’s letter and I get it. The allegations prove that Allen is not a nice man but how far do we tie up a person with their art? Do the awful things he’s done suddenly mean that Annie Hall isn’t a good film? It’s a question I’ve continually asked myself and I have no answer. But it came to my mind when I decided to finally watch Carnage this week. I’d forgotten who directed it so when the name Roman Polanski came up on the screen I paused the film. Ultimately, I decided that watching the film wasn’t me letting him off. But I still felt weird about it. But this isn’t the place to get into this.
Today was the end of my working week and I’m absolutely exhausted. I got home from work and just collapsed. So, my aim is to get through this review and get tucked up in bed at an obscenely early time. Especially as this was such an emotionally draining film so I can’t imagine that writing this is going to be the most fun I’ve ever had. I’d heard about this film before this week, obviously, but I’d never seen it. As I’ve made perfectly clear on this blog, I’m very wary of the way sexual assault is used in the entertainment industry. There are countless rants available that make my point very clear. It’s a difficult and important subject that needs to be handled correctly. When it isn’t it has the potential to damage so many people. So, going into this film I was already anxious about the key scene and how it would depict the event that is so key to the film’s narrative. But, given this is the film that won Jodie Foster an Oscar for Best Actress, I didn’t feel as though I could ignore it in this series.