One of my favourite moments in The Gentlemen was during the scene in which Hugh Grant’s scummy PI tries to sell his film script. He attends a meeting at Miramax and a huge poster for The Man from U.N.C.L.E can be seen in the background. It just went to show that this may be Guy Ritchie’s attempt to show that he’s still the East-End gangster director but he doesn’t want you to forget that he’s a Hollywood name now too. Although, really what have his blockbuster franchises ever gotten him? Sherlock Holmes has, at least seen a couple of sequels. 2019’s Aladdin remake wasn’t exactly a critical success and the less said about King Arthur: Legend of the Sword the better. I’m not trying to criticise Ritchie for his varied career but it was a really odd flex. The Man from U.N.C.L.E didn’t do that badly but it’s hardly fondly remembered all these years later.
It probably wasn’t until Paddington 2 that I really gave a shit about Hugh Grant. When it comes to his acting career, all I ever really associated with him were Richard Curtis movies and I’m not a huge fan of Richard Curtis movies. Don’t get me started on how awful Love Actually actually is. It was Paddington 2 that really showed how much fun he could be. So, when I saw the trailer for Guy Ritchie’s The Gentlemen I was quite excited to see it. I can’t say that Ritchie has ever been my favourite director even before he started making guff like King Arthur and Aladdin. They just weren’t the films I was interested in watching. I guess his films are fun in their own way. Just as long as you don’t mind gangs in London who have a penchant for violence.