You’ll hear plenty of people bemoaning “cancel culture” at the moment. Usually, it’s the people with the most controversial opinion who are so critical of it. All you need to do is look at JK Rowling and see that. Of course, the people who are so vocal about “cancel culture” are also the first people to vow never to use a service again if it goes against their ideas. You know what I’m talking about. The people who threw out their Yorkshire Tea because they don’t agree with racism or set fire to their Nikes when they stood behind Colin Kaepernick. They’ll also be the same people who have cancelled their Netflix subscription after the controversy surrounding one of their latest films. Although, you have to wonder how many have actually watched the feature film debut of writer and director Maïmouna Doucouré. I’d bet all of them have just eaten up what they’ve been told by right wing politicians or the media.
I try not to read much criticism before I watch a film. I love reading it but not necessarily to see if I should see something. I prefer to use my own judgement on whether a film’s worth it. But I do like reading it afterwards. For one thing, you might get a different insight on what you’ve just watched. I know it’s not really the point of reviews but I don’t want to be swayed by somebody else’s opinion. And it’s good practice to help avoid spoilers. Most reviews are fine but these days film criticism has moved beyond just giving you an opinion. It’s all about getting that word count up so some people use their platform to reveal most if not all of the plot. It’s ridiculous. But I’m getting distracted. The point I wanted to make was this: so many people seem to have been criticising Sam Mendes’ film for not being a true single-shot movie. They’ve complained that it’s too obvious where the edits are and some have even described it as “distracting”. I have to sigh. Do we know the cuts are there? Yes. Does it make the whole thing any less impressive? No freaking way.
I’ve had a copy of this film sat around for months waiting to find the perfect time to watch it. I was contemplating doing it for Halloween but, last week, the Japanese zombie movie got a limited release in America. So, it seemed like the perfect time to give it a watch. Plus, I didn’t really have time to watch anything new last weekend, so it was an easy fix. And it means I can get a more diverse range of films into my life in 2019. It’s not like I mean to ignore foreign films. I live in Yorkshire and, according to the people who matter, we Northerners don’t appreciate subtitles. I was listening to a podcast recently that tried to shame anyone who had watched Roma on Netflix and not during its limited cinema release. These were, obviously, people who live in London and have an easier time of seeing foreign-language and indie film releases in the cinema. I mean National Theatre Live has barely just made it up here. I know it’s on me to catch-up once films are released but there is still a point to be made about the release of foreign-language films. But not one that really matters right now. I’ll rant about it later.
Just over 7 years ago, I posted 
Yipee ki-yay, motherbooker 