Tuesday Review – Zombieland: Double Tap (2019)

Tuesday Review – Zombieland: Double Tap (2019)

5_star_rating_system_3_stars A lot has changed in the 10 years since Zombieland came out. Back in 2009, the biggest name was Bill Murray in his fairly short but memorable cameo. Jesse Eisenberg was a year away from making waves in The Social Network. Woody Harrelson hadn’t exactly been getting the meaty roles back then and Emma Stone was still the up-and-coming comedy star. Now, Stone is an Oscar winner and Harrelson has seen something of a revival. Everything has moved on a fair bit but, surprisingly, all of the main cast have returned for the sequel. There was talk of sorting out a sequel before the first film ever came out but it went through a lot of delays. After 10 years, you have to ask the question: was it still necessary? Back in 2010, there was talk of a new film franchise and a television show. After so many years have passed, what was there to say? Did we really need to revisit these characters? Especially as we couldn’t rely on Billy Murray turning up again to liven everything up.

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Tuesday Review – The Favourite (2018)

Tuesday Review – The Favourite (2018)

1542148943768_thefavourite_a3portrait1 5_star_rating_system_4_and_a_half_stars Another week and another potential Oscar nominee. This is another that I was really desperate to watch and its mainly because of Olivia Colman. I adore her and it definitely has something to do with Peep Show. Anyone who was a fan of that show and doesn’t still have a massive soft spot for Sophie is insane. Obviously, she has proved time and time again that she is a fantastic actor in any situation but she is such a fantastically funny woman that she deserved a great role like this. The trailer more than hinted that this was going to be a comic creation like we’ve not seen before and I was all for it. The Lobster is the only other film I’ve seen by Yorgos Lanthimos but I loved it. So was excited to see what he did with this story. Everything I’d seen or heard about it was weird. Everything seemed to have been planned, right down to the justification of the credits, to make The Favourite as disconcerting as possible. And I was ready. But before we get into this, one more word about the credits. I’ve heard and seen a lot of people complain about how the words are set out on-screen but I don’t see the problem. Everything is perfectly readable and, maybe its just me, but they sort of end up having the effect of a tapestry. Plus, it’s a historical thing. It fits and, frankly, I think it worked brilliantly. But I’m getting off topic.

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