When I first head about this film I thought it sounded shit. That’s mostly because a friend of mine described it to me and he didn’t do a very good job. It didn’t help that I just associated Will Smith with bad films thanks to the likes of Hitch. So, I didn’t want to watch it. Cut to a few years later and another friend telling me to watch it. This time, I trusted his opinion and gave it a shot. I didn’t hate it but I can’t pretend that it’s a film I’ve thought a lot about since. Until it appeared on my Netflix home screen the other day. Then I got the sudden urge to watch it again. As it’s been a while since my last TBT, I decided it was worth going back to it. Maybe it would make more of an impression this time?
Like many others, I first became interested in this book when it was longlisted for the Booker Prize in 2018. It sounded like an interesting story and I’m always intrigued by feminist dystopian fiction. I never actually bought it though because, as is always the case, I had far too much to read first. I then got a copy in a book subscription box that I used to get. It wasn’t a great subscription all round but this was definitely a highlight. The book has spent the last year or so on my shelf waiting to be read. Why did I decide to read it now? I wanted the excuse to experiment with water in some photos. I’ve had worse reasons for picking up a book but this isn’t exactly my finest hour. I was still interested but I’d also heard mixed things about Sophie Mackintosh’s debut novel. I guess that I had to find out for myself.
I’m yet to be convinced by Disney’s plan to remake all of its animated film as live-action. At best, they can be described as fine. At worst, they’re pointless. The best by far is The Jungle Book because it was only slightly concerned with the original film. I guess Maleficent worked pretty well but I wonder how much that had to do with Angelina Jolie rather than the actual film. So, I wasn’t exactly hyped when it was announced that Cruella DeVil, first seen in 1961’s One Hundred and One Dalmatians, was getting an origin story. Or that she was going to be played by Emma Stone. Don’t get me wrong, I love Emma Stone but she’s no Glenn Close. The 1996 remake did many things wrong but casting Close as the villain was a genius stroke. I didn’t see how Stone would be able to compete and that was before I heard her dodgy accent.
In order to complete my Spell the Month Challenge for February, I knew that I’d have to find a book title that started with Y. After reading Yes Please last month, I wasn’t sure that I’d have anything already on my shelves. So. I ended up buying something to fit the bill. Unfortunately there aren’t an awful lot of inspiring books beginning with Y. Or at least not that I was able to get in time. I’ve for a bit of time before I’ll need my next one, so I’ll have to do some proper research. For this month, my Y pick was I book I randomly found on Amazon. It sounded interesting enough and, most importantly, was quick. Meaning that, even if it ended up being terrible, I wouldn’t have to push on through a really long novel.
I have a problem with Bookstagram. My problem being that I can’t stop myself from buying the books that I see people raving about. This was one of those books. Last year this book seemed to be everywhere and I hadn’t heard anyone say anything negative about it. Of course, I was slightly skeptical. I mean book that starts off by comparing itself to Get Out and Rear Window has some pretty high expectations of itself. It’s safe to say that I have been pretty dubious about contemporary thrillers. I find the majority to be superficial and not very thrilling. Of course, the added theme of racism and gentrification of this narrative had got me interested, so I decided to go against my natural instincts. Could it possibly change the genre completely? Especially when it sounded pretty similar to the plot of Vampires vs the Bronx.
I’ve had this on my shelf for a really long time. I’d say it’s been about 5 years but I can’t actually remember when I bought it. When I got it, I had every intention of reading it quite quickly because I liked Amy Poehler. Spoiler alert, I didn’t. I think it’s because I struggle with non-fiction so much. I’m especially sceptical of memoir style books. They can be so hit and miss. Something that the writers believes is a hilarious anecdote might actually just be an in-joke that most readers won’t appreciate. So, this could very easily have remained unopened on my shelf for the rest of time. Well, until I decided to take part in my own version of the Spell the Month in Book Titles challenge. When I tailored my January TBR to spell out the name of the month, I knew that I’d need a book starting with “Y”. Looks like the time had finally come.
On Saturday, I set out a list of reading resolutions for the year. As usual, one of the majors ones was to buy fewer books. This is something I try and fail to keep every year. The publishing industry just can’t stop bringing out more fantastic books. However, I do intend to do better this year because I’m painfully aware that I have something of storage problem. In order to stop myself from buying new books, I have set myself a second resolution of actually reading the books on my shelves. I have that classic bookish problem of having owned books for years. This is especially true of my Kindle. I tend to buy cheap ebooks on a whim and then forget about them. According to Amazon, I bought Jonathan Unleashed in December 2016. That means I’ve owned it for 4 years. It feels as though it was time to finally give it a chance.
Yesterday, I posted my review of Nick Hornby’s novel A Long Way Down. As it was the first book that I finished this year, it only felt right that I also watch the film adaptation for today’s post. The fact that it also stars Pierce Brosnan was just a wonderful benefit. Although, I’m always up for watching Bronhom is anything and there’s a brief scene of him dancing in this one. Yep, even after the first Mamma Mia! film he still thought it was perfectly acceptable for him to dance on screen. Say what you will about his acting but, boy, does he have a great of confidence for a man born without rhythm. I must say that I’m incredibly jealous. I’m also a terrible dancer despite all my best efforts. I wish I was able to give as few fucks does about what I look like on the dance floor and just went for it.
I’ll be honest, I needed a quick read again this week. I wasted most of the bank holiday and only had one day to finish a whole book. So, I went to my bookshelves to find the shortest book possible. It’s not my favourite method for picking which book I read next but, sometimes, you have to just get something done. I bought this book back in March because it sounded really silly. We’ve had horror versions of classics in the past so why not drag queen versions? And a drag version of Dracula had the potential to be an amazing thing.
The live-action Disney remakes are a curious thing. They’re making a shit-ton of money but, from what I can tell, nobody really likes them. I guess that not only means that we’re all suckers for going to see them but that Disney really is despicably good at business. We all love to get nostalgic and the curiosity of seeing how they’ve been updated is always going to get people buying tickets. It’s the reason that I initially bought so many of the books in The Austen Project. Of the live-action Disney movies that I’ve seen, only The Jungle Book really worked. I’m hopeful that Mulan will be amazing because it’s refusing to go down the musical line. It’s not that I don’t love a musical because I bloody love a musical. There’s a reason why my Spotify end of year round-up was mostly the Hamilton soundtrack. It’s just, Disney animated movies work as musicals because they’re animated. You don’t need to question why everyone’s singing because it’s not real. When the action starts to get realistic, that starts to be problematic. Stage musicals work in a similar way because you accept that you’re watching a play. Live-action films become a little tricky. It can work. I know I didn’t like Tom Hooper’s Les Miserables but, because there is no spoken dialogue, the singing at least makes sense. The live-action Disney movies raise too many questions. Especially when you add animals into the mix. So, when the new Aladdin film came out last year, I wasn’t convinced it would work for me. But, I have been a long-time lover of Will Smith’s musical career, so I wanted to give him a chance. It was time to find out once and for all.