I can’t remember if I’ve ever read Sir Gawain and the Green Knight. I never spent much of my time reading Middle English poetry. Although, I had an awareness of the story, so I might have briefly touched upon the subject. Now, normally, I don’t think it’s important to know the original text before you see an adaptation but I think this might be a bit different. After all, Middle English poetry isn’t something that many modern cinema audiences are necessarily ready for. Especially when the adaptation is potentially going to be mistaken for an epic fantasy action film. In the age of Game of Thrones, the idea of what fantasy is has become pretty specific and The Green Knight was sure to be that straightforward.
I’m no Dickens fan. I don’t necessarily see why he’s the granddaddy of English literature. He’s the Victorian version of those clickbait articles that drag out a really boring story for about 5 pages to keep their stats up. I get that he was basically being paid by he word but did he have to make it so obvious. Then there are the bloody names. Every time anyone talks about Dickens they bang on about how funny his characters names are. Really? They’re like bad dad jokes at best. I don’t hate all of his novels of course. A Christmas Carol is a fantastic book and I have a certain love for Great Expectations. That’s about it though. It’s been years but I’m still bitter about having to study Hard Times for my A Levels. It’s such a boring book. With all of these negative feelings swimming around my head, you’d be forgiven for thinking that an adaptation of David Copperfield wasn’t the top of my list of must-see films. Well, it turns out that Armando Iannucci can make anything palatable.