Do you think anyone out there hates Tom Hanks? Yes, he’s done some dodgy films over the years but he seems like a nice guy. And he bloody loves acting. But I guess his reputation probably has a few negatives. He’s never really going to get the chance to play a villain. Okay, he’d probably be happy with that but he must have severely limited the range of roles he’s offered. The only time he’s even veered toward villainy and it’s not really gone off. Nobody even saw The Circle and Road to Perdition was more complicated than good or bad. Tom Hanks trying to play a bad guy would be as disconcerting as seeing a film where Christopher Lee played a moral upstanding gentleman. It’s why he was the perfect choice to play Mr Rogers in A Beautiful Day in the Neighborhood (review coming soon) and why he was the perfect choice to play Sully, the pilot responsible for the Miracle on the Hudson.
I don’t often like to admit it but I was wrong. I had no faith in the Academy to give Bong Joon Ho and his basically flawless film the recognition they deserve. But, at the 2020 Oscars, Parasite became the biggest success of the night. It genuinely couldn’t happen to a nicer person. 1917 is a technically brilliant film but, in terms of narrative, it doesn’t exactly break new ground. Parasite did everything and it did it well. It brought together so many ideas and genres without ever getting overwhelmed. Bon Joon Ho is one of the greatest filmmakers of our time and I’m chuffed the Academy actually saw it too. But let’s not look back too long. After my massive Oscars week viewing, I am now a few weeks ahead with the films I need to review. I thought about doing them this week just to get them out of the way but, honestly, I need a break. So, get ready for my next few Tuesday posts to be a little behind the times.