Sunday Rundown – That’s What She Read

Amy Poehler, book haul, books, currently reading, Dickens, Marvel, Netflix, Paul Rudd, recently watched, Thor
So, this week a new Oxfam books store opened up a couple of doors down form work. I always try to buy books from charity shops if I can because it makes me feel less guilty about indulging in my passion despite having no space or money for books. You know, it doesn’t become a present for myself but a way to help the less fortunate. I’m not treating myself; I’m doing a good deed. It’s taken all of my willpower to not stop in every day this week and I managed to come away only having gone in their once. I made a small (ish) haul and was incredibly satisfied with the results. I also happened to be shopping at the same time as a rather attractive young man. A life of reading books and watching sappy TV and films had prepared me for this moment. As we were both browsing the classics section we would both reach out for the same book. We’d laugh awkwardly before bonding over our love of books. Boom! Love, marriage, kids. We all lived happily ever after. What actually happened was: I nearly tripped over my extremely long coat after perusing the bottom shelf, I nearly bumped into him and I left the shop no closer to finding my soul mate than I was walking in. Why can’t life be as simple as it is when an author is neatly plotting every twist and turn?

Weekly Blog Posts

  • TUESDAY’S REVIEWS – Thor Ragnarok (2017)

After trying to organise a cinema trip with a friend for ages I finally got to see the latest Thor. It’s no real spoiler to say that I fucking loved it but if you fancy more information my review is up here.


I promise you I was planning on writing a bookish post this week but, when it came to Wednesday, I just had nothing in me. I was exhausted and fell asleep far too early. I’d rather post better quality stuff than rigidly stick to my schedule so this could be happening more than I’d like.

  • TBT – Hunt for the Wilderpeople

Watching Thor Ragnarok gave me the perfect excuse to finally watch Taika Waititi’s Hunt for the Wilderpeople for my TBT review this week. Everything you need to know is here.

Currently Reading

  • Underground Railroad by Colson Whitehead
I was actually planning on spending most of today blasting through this book but I woke up feeling dreadful. I’m full of cold. Well, half of my face is full of it. My right nostril is so bunged up that every time I breathe in it sounds like the low growling noise the T-Rex makes in Jurassic Park. So, instead of reading I’ve slumped in front of Netflix and napped all day. Not a productive use of my day off but I appreciated it.

Recently Purchased 
  • Oxfam book haul

Believe me, there were plenty of books I could have walked away with but the stupid card machine wasn’t working and I only had a limited amount of cash on me. Thankfully I guess. I still managed to pick up four bargains. 

    • The first was a gorgeous simple copy of The Stranger by Albert Camus. I’ve not read any Camus besides The Plague, which I gave up on halfway through. This is widely considered to be his best book so I figured giving it a try might inspire me to restart The Plague eventually.
    • The second was a vintage copy of Crime and Punishment with a weird, trippy cover. I already own too many copies of this book considering how many times I’ve tried and failed to finish it. This is the smallest though so it might be better for reading on the go.
    • The third is a find I’m really excited about. You can so rarely find good quality Penguin Clothbound Classics in charity shops that I couldn’t pass up the chance to get Great Expectations. I book this just for the edition but this is one of only 2 Dickens books that I genuinely really like.
    • The final book is my favourite of them all. It’s a gorgeous and slightly creepy illustrated edition of Animal Farm. The illustrations are really striking and I just couldn’t put it back. I had to have it. The book didn’t have a price so I was super worried it would be out of my budget. Thankfully the woman named an incredibly reasonable price of £2.99. She even looked apologetic about it! I seriously could have hugged her.

Recently Watched 
  • Netflix Binges: Wet Hot American Summer: 10 Years LaterJohnathan CreekJack Whitehall: Travels with my Father
I’ve still not let myself start rewatching Stranger Things 2 yet because I rushed it last time. I feel like I’ve got to give myself time for watch number 2. Instead I’ve binged all of Johnathan Creek: a series I’ve watched far too many times considering the amount the quality drops after the first few series. Still, there’s something about Alan Davies playing a magicians technical consultant who also solves crimes that just gets me excited. Today I watched the new Netflix series Wet Hot American Summer: 10 Years Later. I watched and semi-enjoyed both the film Wet Hot American Summer and the Netflix series First Day of Camp when I watched them but can’t say I was particularly blown away. Still, the cast list always manages to drag me in so I eventually watched it. I just still don’t think any of these are as clever as anyone making them thinks they are. They’re not even silly enough for it to good. I don’t know. There were some good moments. Finally, I started watching Travels with my Father and I adore it. I’m not the biggest Jack Whitehall fan but have watched him enough to want to see this. There have been so many awkward and hilarious moments that I hope there are more series to come.

Tuesday’s Reviews: Thor Ragnarok (2017)

Cate Blanchett, Chris Hemsworth, comic book, comic books, films, fuck yeah, fucking funny, Mark Ruffalo, Marvel, review, silly, Thor, Tom Hiddleston

I have to say , considering the quality of the previous 2 Thor films, it’s been pretty difficult to be a fan of Marvel’s God of Thunder. He has always been my favourite male superhero in the Marvel comic book world but it’s been hard to convince non-comic book fans that he deserves that title. Iron Man is the funny and cool one thanks to RDJ. Captain America has, the best Marvel film, Winter Solider, to make himself look better. But Thor? He’s had a pretty poor showing in terms of solo film outings. I say as someone who adores the first Thor film but also understands that it leaves a lot to be desired. I understand the second one is dire but we don’t need to go into that again. This back catalogue of frustratingly weak films have meant that a lot of people have overlooked Thor. He hasn’t made enough of an impact. His own films are just irritatingly lacking and he tends to get lost in the huge ensembles of the two Avengers movies. Heck, he wasn’t even allowed in Civil War. Instead Thor was benched along with the other Avenger that nobody really knows what to do with: the Hulk. The problem is the very concept of the Thunder God. He’s so caught up in mythology that there is a tendency to play him straight. Living up in his own realm of the God’s means he feels even less realistic than the rest of the line-up and that really is saying something. His roles in these films have left Thor feeling like the weak link in the chain. He’s neither the funniest, the most badass, nor the most memorable of the Avengers. Hollywood just doesn’t know what to do with him. Or at least they didn’t. From the minute the first images of Ragnarok came out I was convinced this would be the film we Thor fans have been waiting for. It had Guardians of the Galaxy style humour, an 80s aesthetic, and a fucking awesome soundtrack. Even before I’d seen it I was sure it was going to be my cup of tea. Of course, the fact that it would also serve as the closest we’d get to a Planet Hulk movie was just an added bonus.

The main problem that I remember from watching Thor: The Dark World is that it tried far too hard to be dark. It was around the time that Christopher Nolan’s Batman trilogy was at the height of its popularity and before Zack fucking Snyder made us all weary of the grungy, angsty comic book movie. It didn’t really have that fun, silliness, or, at the very least, self-awareness that the best Marvel films have in buckets. It was all dark elves, family melodrama, and a naked Stellan Skarsgård. The second Thor film was trying to be something it wasn’t and the end result really showed what a mistake it was. Thankfully, for his third solo outing for the MCU, it seems Marvel have really learnt their lesson. Despite the title’s reference to Ragnarok, the apocalyptic demise of the Norse God’s, this film is anything but dark. Something we learn from the very first scene is that not only has Thor finally found an on screen presence but he’s managed to pick up a great sense of humour along the way.

For too long comic book movies have been trying to make themselves seem as grown-up and serious. Ragnarok understands that all of this is so crazy that it’s pointless trying to play it straight. Marvel films have dabbled in humour before but Thor 3 has a completely different feel to it. It’s more like a comedy film that happens to be about comic book characters instead of a comic book movie with more jokes. Marvel have always been good at letting unexpected directors have a go at massive Blockbusters but New Zealand born director Taika Waititi is, perhaps, the weirdest so far. Thankfully, he was allowed the chance to do his own thing and, as we can see, it works wonderfully.

Ragnarok has a bit of work to do before it gets down to the real business. We left The Dark World with Loki on the throne in disguise and we last saw Thor vowing the track down the remaining infinity stones. So Thor goes back to Asgard to sort shit out but, before he’s even got time to breathe, his long lost sister Hela (Cate Blanchett), the Goddess of Death, turns up to royally fuck shit up. She wants revenge on her father and his people for casting her out years ago. Unfortunately, as this is going on Thor (Christ Hemsworth) and Loki (Tom Hiddleston) find themselves stranded on a distant planet, Sakaar, presided over by the villainous Grand Master (Jeff Goldblum). Whilst Loki is taken in as a friend, Thor is captured and turned into a gladiator. With no other means of escape, Thor is left with no other choice but to fight the Grand Master’s Champion; who, as we all know, just happens to be the Hulk (Mark Ruffalo). Can Thor, the Big Guy, his sketchy brother and their new ally, Valkyrie (Tessa Thompson), an ex-Asgardian warrior with a grudge to settle.

In terms of the basic narrative there isn’t a great deal of excitement and Ragnarok treads very worn Marvel ground. This rag-tag bunch of heroes come together to fight a big evil to save the world. However, there is so much more going on that it doesn’t even feel that familiar. The sub-plot on Sakaar is fabulous and both Hemsworth and Ruffalo get the chance they both deserve to flesh out their characters. His recent pitstop in comedy films has left Christ Hemsworth with a greater comedic confidence and, for the first time since he first donned the red cape, he looks comfortable in the role. Conversely, Ruffalo finally has something to do as he starts to flesh out the green monster before the upcoming Infinity War films. I’ve read criticism that the film completely rewrites these characters but I just see it as positive development. This is one friendship I can’t wait to see get stronger.

There are some amazing performances on display in this film. Jeff Goldblum is at his most Jeff Goldblum and manages to walk the line of annoyingly hammy without falling into oblivion. Tess Thompson is sensational in her role and more than makes up for the abysmal female presence in the previous Thor films. Tom Hiddleston is perfect as Loki, as usual, but over time I find myself tiring of the “is he good or bad?” narrative. It just gets old. Still, I’m always happy to see that face. Finally, Idris Elba, returning as Heimdall, is worth noting. If only for the fact that, at the point that he takes off his cloak, his beefy arms. I love the change Heimdall has made from Gatekeeper to fucking badass.

My only real problem with Ragnarok (aside from the pointless and built up Dr Strange cameo) is Hela herself. The great villain looks the part but never gets the chance to get going. It’s a waste of Blanchett’s talents and a potentially great bad guy. Every time the action switches back to Asgard I couldn’t help but wish I was back on Sakaar. Hela feels out of place in this film just as all the references to genocide and darker elements do. These references are fleeting but they do stick out badly. There are also some poignant moments that are not dealt with properly. It can feel a bit weird. But, really, it doesn’t matter. Everything is held together thanks to an immense amount of charm, humour and utter silliness. This film knows it’s dealing with nonsense so plays up on that fact. I lost count of the time I genuinely laugh-out-loud watching this. Minor problems aside, this the greatest Marvel movie you’ll ever have seen.

Tuesday’s Reviews – Norse Mythology by Neil Gaiman

books, fucking funny, fucking weird, Loki, myths, Neil Gaiman, retelling, reviews, Thor

I have had this book sitting on my shelf since the day it was released and I had only read bits and pieces until this month. It’s that I wasn’t excited to read it but I just felt that there were other books that needed reading first. This was surely going to be too much of a treat for myself and, with the speed at which I’ve been reading recently, I didn’t deserve one. I certainly didn’t deserve to gorge myself on Neil Gaiman’s retelling of the Nose Myths when I have books that are still on my TBR after 4 years. After all, Gaiman is one of those authors who could write anything and I’d enjoy it. He has that universal appeal that do many authors crave and he’s so goddamn nice as well. Of course, it also helps that I kind of have a thing about myths and legends anyway. I remember reading about Greek, Roman and Norse mythology when I was younger and loving it. It’s the Greek and Roman stories that have become so ingrained in our minds but the Norse myths were always the most exciting. I cite my love of those tales and Shakespeare as the reason that Thor is one of my favourite comic book characters. Obviously, there is a lot of difference between the Marvel representation of Odin’s son and that is something Gaiman is keen to point out at the start of his own retelling. However, with Thor: Ragnarok coming out later this year, it is a great time to get further into the tales that started everything off and I was lucky enough to do so with Neil Gaiman himself narrating them into my ear holes. It was blissful.

Neil Gaiman is an author who spans the literary genres but, as is evident throughout all of his work, he has been hugely influenced by ancient myths and legends. He has managed to forge an image of himself as the great storyteller and his works all have a certain amount of grandeur to them. His books often bring aspects of ancient mythology and present them in a modern setting. He has become so interlinked with this aspect of literary history that Norse Mythology would seemingly be the next logical step. Although, it is something of a departure for the writer. Instead of reimagining the stories of the Norse Gods, Gaiman is instead simply retelling them but in his own, incredibly readable and lovely manner. It is a project that part of me is completely fangirling over whilst the other point is trying not to ask “why?”

When it comes to Norse Mythology, there is a limit to what remains of the fables. The tales never really stuck in the way that other civilisations’ stories did. Most of the characters will be recognised more for their place in the comic book world created by Stan Lee and Jack Kirby. Thor looks like Chris Hemsworth instead of the traditional red-headed powerhouse he once was. I’m not saying this is a problem and am sure that there are many people who’s interest in this area has been encouraged by the comics and films. After all, as Gaiman himself is quick to point out, it is through the Marvel comic books that he first encountered the Thunder God. It was the stories of Lee and Kirby that pushed him into reading more.

It is this lifelong love that has got us to the point where the writer has set down 15 tales in his own words in the hope that he can bring some of the joy he once experienced to a new audience. There is no real narrative structure but everything is culminating towards to the great finale: Ragnarok. The final undoing of the Gods and their creation. The chapters are essentially short stories featuring as cast of players that is set out to us at the start. Gaiman has taken the stories that remained and fleshed them out with his own style. He exaggerates a few characterisations, such as Thor’s limited intelligence and his Loki is more of prankster than the evil supervillain Tom Hiddleston has turned him into. He takes the bare bones of these fables and makes them unquestionably Gaiman. He adds his own humour to everything and isn’t afraid of modernising a few things when the need arises.

They are simple and written as if they are to be read aloud to a child. In his own way, Gaiman in trying to reignite the tradition of storytelling in which these tales would have first sparked people’s imaginations. It’s why I’m so glad that I listened to Gaiman’s narration instead of finishing the book myself. It really brings the characters to life and lets the humour really hit home. Every moment when the author himself slips into the narrative to make a sarcastic or slightly mocking comment on the proceedings is heightened when read in his own voice.

Still, as lovely as the experience of listening/reading this book was, I still can’t quite get over that niggling voice still asking “why?” I mean, there is nothing wrong with the way this book is written but I just feel that, with his own literary history, Gaiman could have reimagined these stories in a much more exciting way. There is something about reading him tell someone else’s tales that just feels off. It is the same voice that we are used to but the images and situations just don’t feel as Gaiman as they should. He has used the Norse Gods for his own purpose in the past in as Loki and Odin play a part in American Gods. It would have been interesting to see what he could do with the rest of them. As wonderful as this book is, it kind of feels like going to see a band who insists on only playing covers of author singers. You’ll ultimately enjoy it but it won’t feel right.

Thor: The Dark World (2013)

Asgard, Chris Hemsworth, comic book, Loki, Marvel, review, sequel, Thor, Tom Hiddleston

It has been two years since the God of Thunder first exploded onto our cinema screens and Chris Hemsworth’s third outing as the Asgardian prince with an incredibly heavy hammer. Personally, I really enjoyed Thor and was looking forward to seeing what the sequel had to offer. As I’ve already mentioned Thor is probably my favourite superhero and I think he has a lot of potential for film adaptations. Especially because the literature nerd in me loves the fact that I am essentially watching a Shakespeare play about Norse gods with a comic book twist. Plus, what kind of card-carrying Hiddlestoner would I be if I didn’t relish the thought of watching the most beautiful and talented actor around get to grips with his evil side?

Thor: The Dark Worldopens on a Lord of the Rings style flashback which lets us witness, in all of its dark and grainy glory, a great battle between good and evil. Many years ago Thor’s grandfather gathered the armies of Asgard and set out to Svartalfheim to prevent the leader of the Dark Elves, Malekith (Christopher Eccleston), unleashing the mysterious Aether and turning the world to darkness. So the first few minutes of The Dark World are as intensely Fantasy as you can ever expect to see. Every genre trait that you can imagine is dropped on the audience in one fell swoop. It’s over-the-top and lacking in subtlety but, to be fair, it’s a wonderfully epic sequence that manages to justify its derivative nature. Let’s face it, if you’re going to adapt the adventures of a Norse god onto the big screen then you either go all in or you go home.
However, before we really get to grips with the story that comes out of this prologue, The Dark World first sets out to tie up any loose ends that may have been left hanging since The Avengers. We see Thor (Chris Hemsworth) deliver his brother back to Odin in chains and watch as he is sent to live out his days in a jail cell. So there we have it, only a few minutes in and Tumblr are gifted with the image of Tom Hiddleston in handcuffs. Marvel really knows who they’re making films for these days. The fangirls favourite has now become more appealing to all the hormonal youngsters out there as the Loki we come face-to-face with is at his lowest point; angry, beaten down and no longer possessing the familial support of his brother or father.

Whilst the God of Mischief stews in confinement that is far too comfortable when compared to the severity of his crimes, Thor is working hard with his loyal band of warriors to restore peace in the Nine Realms. Apparently, destroying the Bifrost at the end of his premier outing had greater consequences than merely preventing him from getting it on with his physics hottie back on Earth. Speaking of which, Jane Foster and her mismatched team have made their way to London to continue their search for unexplained science-stuff. A mere six years after Valve released their popular puzzle game the science friends are able to start having fun with portals after they stumble across an abandoned warehouse rating high on the WTF scale. Unfortunately for the world’s prettiest astrophysicist, Jane is transported to a strange place; a strange place that just happens to be the exact point where Odin’s father hid the Aether. No surprises for guessing where this is going then.
With the Aether back in play, the foundation is set for Malekith to do the very thing the Daleks did just in time for the finale of every Russell T Davies season finale; he and his remaining Elves reappear to carry on with their deadly dealings. Thor must use his mighty hammer to save his home, the woman he loves and everything he has just been fighting to unite. Thanks to massive pre-release spoilers we are all well aware going in that, in true Wife Swap tradition, the God of Thunder must work alongside the one person he would do anything to avoid. Can the brothers set aside their differences and prevent their world from being destroyed? The plot is hardly inspirational and what follows is going to come as little surprise to most. However, just like the first film, The Dark World approaches the narrative with such self-awareness and in a tongue-in-cheek manner that is doesn’t really matter.
Thor: The Dark Worldis far from being the slickest offering that Marvel has presented us with over the years. Yes, it’s no Avengers but nor is it Iron Man 2. It keeps moving thanks to the strength of its cast. Hiddleston and Hemsworth are a wonderful team and their chemistry and inherent charm is infectious. It is a relationship that more than eclipses the other significant relationship on screen. Unfortunately, the combined talents of Hemsworth and Oscar-winner Natalie Portman are not enough to bring any kind of chemistry or realism to this flat and dull romance.
In fact Portman as a whole is pretty hard done by here. Many reviews out there praise the increased role she has been given in this sequel but, rather than being a positive thing it only goes to show just how forgettable she was in the first one. There is an interesting role reversal where Jane, finding herself on Asgard, is placed in the fish out of water position and is given a few good lines as she gets to grips with this new culture. However, she is mostly used as the damsel in distress who is called upon sparingly to look at some ridiculous science gadget and attempt to relate the magical events to real world ideas. It is a purpose that is not evidence enough to make her presence seem necessary and, when she’s not taking part in one of cinema’s least convincing love stories, she is constantly overshadowed by the superior in every way Darcy (Kat Dennings).
For his part, Hemsworth is given slightly more to work with in his third outing and we see Thor start to become more than just a loud and comical fish out of water. Thanks to Thor, our hero is no longer plagued by hubris but is finally preparing to be the leader that his father expects him to be. The Thor we see now is just as confident as the one we are used to but with the necessary humiliation and dedication to help others that is required of a Norse God. There is still a hint of humour surrounding the character (Hemsworth is allocated a few more juicy one-liners and sight gags than last time) but Thor is all about emotional development as we see him battling with romantic and familial demons. Ultimately though, it is Hemsworth’s innate likeability that makes the character work so well on screen. Without a doubt he’s joy to watch in the role but, of course, that could just be down to those magnificent arms.
Thor may have given his name to the title of this sequel but we are never in any doubt that it is actually 
Hiddleston who is the main attraction here (for both audiences and money-hungry distributors). Loki gets the majority of the juicy lines and is able to have the most fun with his character. That said, Loki hasn’t exactly developed since the original Thor and is still, underneath the fantastic cheekbones and theatrical performance, a jealous child who just wants his brother’s favourite toy. You can’t fault Hiddleston in the slightest but, given his popularity with everyone, there has been no need for him to be anything other than he was from the start. Well, with slightly longer hair and feeling a little sorry for himself. Considering this is also Loki’s third outing it would have been wonderful to see a bit more depth to the character.
Something which I would also say is true for much of the supporting cast. There can be no denying that there is a great range of acting talent on show within the realm of Asgard but very few characters are really living up to their potential. Antony Hopkins is the ideal casting as Odin but, understandably I suppose, has relatively little to do (there is a slight chance that this is simply a personal thing as I’m of the opinion that most movies are flawed due to their lack of Hopkins). Idris Elba is always memorable as the all-seeing Heimdall to the extent that I want him to be around more. The same can be said for Ray Stevenson’s Volstagg who seems to be less like the Falstaffian wonder he should be and more like the stock fat character you see in classic episodes of Little Britain. Most heinously of all though, Christopher Eccleston and his Elvish band are forever on the outskirts of the action. After their appearance in the prologue, it takes a large portion of the film for them to reappear and then another long wait before they do anything about it. Like the Chitauri in The Avengers, the Dark Elves are nothing more than a flimsy plot device to bring all of the characters together. Hardly the terrifying bad guys we’re used to these days.
Jamie Alexander and Rene Russo in their roles as Sif and Frigga (Thor’s mother) are, in a similar fashion to Portman, “developed” here. Alexander has, from what I can tell, received a great deal of praise for her role but has in fact done very little. In the first film she was just the jealous female sidekick and now she is the jealous female sidekick who has a small fight scene and some slight banter. Then she disappears. Sif deserves to be used in a better way not least because, in a world of beefy, drunk men and stupid scientists, we deserve an ass-kicking female. So I demand to see more of Jamie Alexander in the future (and that’s not just a reference to the insanely revealing dress she wore to the premier).
Speaking of insanely good-looking things, in terms of aesthetics The Dark World is pretty damn impressive: the initial reveal of the shiny new Bifrost and the expanded Asgard slaps you round the face in such a pleasurable way you’ll think you were that woman in 50 Shades (I assume. I haven’t read that shit.). There are some truly breathtaking set-pieces throughout the film: Malekith’s assault on Asgard is a great action sequence and a later scene showcasing an Asgardian funeral where light and CGI are used to tear-inducing effect. Just like the first film, it is the scenes that take place away from Earth that prove to be the most exciting and enticing to watch; probably because, despite how wonderful London may be to look at, it can’t compete with a shiny CGI space realm.
For the most part, the plot that unfolds in London feels either unnecessary or that it’s trying too hard. There are a lot of moments of forced humour and dull moments of exposition. The scene where the portals are first discovered goes on for far too long and Chris O’Dowd’s bizarre appearance as a potential love interest for Jane just wasted time that could have been spent making the Dark Elves feel like more of a presence. There is only a brief section of the film where his character helps more the plot forward and a friend and I were able to rewrite that to something much funnier and less time consuming.
However, by far the greatest sin that this film commits is the development of Dr Eric Selvig. Apparently, that time that Loki took over his brain caused some pretty serious damage and the once reliable scientific mind is now struggling with his grip on reality. This meant that for the majority of his scenes Stellan Skarsgard was left to frolic around in certain states of undress. This not only took valuable time away from the major plot points but has caused permanent scarring to my visual memory. It’s one of those things that clearly sounded hilarious in a script meeting but never found its feet in the final film.

I instantly loved Thormainly because of how unlike traditional superhero films it is. Branagh, Hopkins and Hiddleston brought a theatrical and Shakespearian quality to the narrative that stays true to Stan Lee’s influences for the original comic. It was understated and introduced the idea of a wider Marvel universe wonderfully. The focus was on the set-up, the characters and the rules of this new world. In terms of action sequences there was really only one or two fairly minor ones which, as far as I can tell, is the major disagreement people had with the film.
In an attempt to counteract this, director Alan Taylor (his first outing as feature film director) decided to throw as much as possible at this sequel. There is an abundance of action set pieces, interesting new locations, unnecessary exposition and callbacks that manage to inflate the underdeveloped plot to three times its actual size. I don’t understand why we had to go from such a well-crafted and unashamedly subtle introduction to a cluster-fuck of genre stereotypes and CGI. As you watch you can almost hear the execs ticking off bullet points on the Michael Bay and JRR Tolkien check-lists.
The Dark Worldisn’t a terrible film: I’ve watched and walked out happy from lesser films. It’s just not a clever one. I liked it but I can’t ignore the fact that I wanted more for Thor. However, I did appreciate the handy reminder that Captain America: The Winter Solider is on its way thanks to a pointless cameo by Chris Evans. After all, it had been about an hour since the actual trailer had been played for us. Gotta make sure the money keeps rolling in I guess.