So, you may have noticed that this week’s Throwback Thursday post has actually become a Frowback Friday post. Last night was my work’s Christmas party so I was a little too busy to be posting. It also means, considering I started work at 7 am this morning, that I had no fucking sleep so I’m totally exhausted. So, I imagine this is going to be a pretty dire review of Spectre. I meant to write it as soon as I got home but, because I’m such a pathetic individual, I fell asleep instead. I’m not even 30 yet and I can longer cope with a night of shenanigans without every muscle in my body aching. It’s not as if I was even hungover. At least that would make sense. I’m just pathetic. Anyway, I’m here to review Spectre, which I watched for the first time this week. I loved Skyfall so was really interested in seeing how the follow up would work out. There was a time when it was believed to be Daniel Craig’s final time in the role so it was kind of bittersweet. I wasn’t entirely convinced that Craig would make a good Bond but he’s really grown on me. I think he’s perfect so it’s hard to imagine anyone else in the role. I love T Hiddle but really don’t think he should get it. Equally, I think Tom Hardy is amazing in every way but I have my doubts. My top choice? Idris Elba. Do I think it’s likely? Well, he’s getting on in age a bit so who knows. Anyway, Spectre has a lot to live up to for many fans. Skyfall had done so many wonderful things and we all felt Craig deserved a decent farewell. Plus, it was the first film for ages without Judy Dench. I bloody love that woman and everything she did within this franchise. I know The Grand Budapest Hotel really turned me around on Ralph Fiennes but I still wasn’t sure he could live up to the Dench. I mean she doesn’t give a shit about the CIA. Her role as M was phenomenal. But I digress and I really do need to get to bed asap.
Spectre takes us to just after the events that ended Skyfall. The old MI5 building is in a state of disrepair and the new M (Ralph Fiennes) is having to cope with a potential takeover from the Joint Intelligence Service. In light of recent events it looks like the JIS will scrap the 00 programme all together; something that becomes all the more likely after Bond causes utter devastation whilst in Mexcio. It turns out 007 got a posthumous message from the Judy Dench M and James is now on the hunt for a secret villain who could threaten everyone’s safety. However, after his actions, Bond is given a suspension from field work so must work in secret with the help of Q (Ben Wishaw) and Moneypenny (Naomie Harris). As James finds out more information, it becomes clear that the present case has a strong link with his past. But who is the mysterious figure at the centre of everything?
I didn’t really know what to think about Spectre going in. I was excited but I’d heard mixed things about it when it came out. Obviously there was a chance this was just post-Skyfall fallout where anything the film did would have been seen as not good enough. However, it could just be a fairly underwhelming film. At the very least, the opening song by Sam Smith was the worst Bond song since Carly Simon’s effort. I mean I didn’t like Skyfall but this made that seem fucking amazing. It’s even more of a shame considering the opening title sequence is visually stunning. I’d say it’s one of the best ones ever made. A bloody great start to this film.
Just as the pre-credits sequence is perhaps the best thing we’ve seen in the Daniel Craig era of Bond. We see James in Mexico during the Day of the Dead, wearing a skull mask and walking through the carnival with a beautiful lady. He then leaves his companion and casually strolls over rooftops to spy on his target. It’s such a brilliant and understated piece that just works so well. It’s the kind of gripping sequence that should be saved for the end of a movie not the beginning. It’ll have you hooked.
Which is good because the rest of the film is a little less solid. The storyline follows up from Skyfall’s link with Bond’s past and makes 007’s vendetta with the big bad personal. Apparently, it’s not enough just to want to stop people endangering lives anymore; you have to want to stop them because they’re wronged you personally. There is a lot to this film that just makes it seem like they aren’t even trying any more. It’s a pain by number Bond that you could, genuinely, play 007 Bingo watching. We have the insane gadget that only becomes useful in the final seconds before Bond’s potential death; the two women who get very little development but are lucky enough to shag Britain’s horniest agent; there are enough car chases in weirdly quite cities to satisfy anyone who loves everything Jeremy Clarkson says; and there is the return of a villain who has had more comebacks than the Rolling Stones. This is the perfect Bond film for any fan of the franchise as a whole.
It’s not a bad film though and I really enjoyed it. Daniel Craig’s time as Bond has brought the grit back to the series and, in the past 2 films, we have seen a slight return in the camp comedy of Roger Moore’s era. However, story is becoming a problem. There is so much potential, especially with Ralph Fienne’s M (who deserves his own franchise by the way), that I kind of wish had been used more. This film would have been seen as exceptional after Quantum of Solace but we’re in a post-Skyfall era. This just isn’t quite good enough.