Tuesday’s Reviews – Guardians of the Galaxy 2

Bradley Cooper, Chris Pratt, comic book, comic books, films, Marvel, reviews, Zoe Saldana

Last week I saw Guardians of the Galaxy 2 with a friend. Before I saw it I was filled with fear and doubt about how good it was. The trailers hadn’t really done much to suggest that Marvel were doing anything other than call-backs and in-jokes mixed with loads of shots of Baby Groot. I was sure it was going to be super fucking cringey and just ruin my love of the first one. I mean, Baby Groot is cute and all but I need something more than a CGI’d tiny tree to keep me happy, you know. So I was concerned but I loved the first film so much. It wasn’t perfect but, really, what Marvel movie is? We don’t love them because they’re flawless films; we love them because they’re awesome regardless. Anyway, this film boasts Kurt Russell as Ego and I’m not the kind of person who can happily walk away from that situation. Two powerhouses coming together in one place? Yes, please. Especially when accompanied by still buff Christ Pratt. Really, it didn’t matter if this film was good or bad as long as Star Lord was as easy one the eye as the first time.

Whilst Guardians of the Galaxy is now well-known as being part of the lighter side of the MCU, it’s important to remember that it opens with an incredibly emotional and dark moment. It opens with the very real and human sequence where young Peter Quill is faced with the death of his mother. It is something that soon gets lost in all the fun and quips but it hangs over Quill’s life and the film. It showed that, despite seeming like being nothing more than a jolly good time, Guardians was willing to deal with some deep shit. This is something that is also true of it’s sequel. Seriously, I wasn’t entirely sure what I was going to be walking in to but I definitely didn’t expect there to be quite so many feels.

But we’ll get there, Guardians of the Galaxy starts off as everyone wanted it to and proved that director James Gunn was still going to approach this in the same way he had the first one. We dive headfirst into an impending battle between out hapless heroes and a huge beast. Unexpectedly, however, we see the battle take place in the background as tiny Groot dances to ELO’s Mr Blue Sky. It’s a fabulous opening scene that had me grinning from ear to ear and caused all of my doubts to dissolve in the overriding sweetness on show. It’s a great opening scene and makes huge promises to the audience. Unfortunately, it can’t deliver on all of those promises.

Where Guardians 2 really flies is within Gunn’s dialogue and in the interaction between the group at its core. When the main 5, plus Yondu, get a chance to really shoot the breeze everything just feels right. There’s such a great chemistry on screen and Gunn has a wonderful sense of how the relationships should work. In an ideal world, this film would literally just have been a rambling film where the gang fly around space and banter with each other. However, films of this type generally require plots and action to keep an audience interested. So, thanks to a clunky plot device, we are quickly introduced to Peter Quill’s (Chris Pratt) estranged father, Ego (Kurt Russell). Turns out, Quill comes from very good genes as his immortal, planet God father is all too eager to tell him. Whilst Quill loves getting to know his only living family his team mates have bad feelings about this.

Gamora (Zoe Saldana) doesn’t trust the newly discovered father figure and as it turns out, she has good reason. When Ego showcases a desire for some doomsday level shenanigans, the gang must save Peter from falling under his spell. Before we get there, of course, there’s some other stuff with Rocket (Bradley Cooper) getting caught up in a coup on Yondu’s ship and a shit load of adoptive sisterly tension between Gamora and Nebula (Karen Gillan). Plus, plenty of times where Drax (Dave Bautista) is able to be fucking hilarious. After the super slick and fun opening sequence the rest of the film starts to run away with itself. Gunn always manages to reign it in but there is the inescapable feeling that everything is rushing towards the inevitable CGI filled climactic showdown. Really, it kind of seems that Gunn was so desperate to outdo himself that it ends up being a bit desperate and over-the-top. There’s just so much drama and action and it’s just not necessary. Then there are the endless pop culture references that, whilst fresh in the first one, just seem relentless now. It feels like all those YA post-apocalyptic books that reference 80s music to hide the fact that the author doesn’t have the creativity to build a fleshed out post-apocalyptic world. Missing something in your narrative? Just reference a classic sitcom or song. It feels like Gunn’s constant referencing is just an attempt to paper over some cracks.

This isn’t a bad film, though and, even in it’s dodgier moments, always maintains that sense of fun and heart. There are some fantastic scenes and the expansion of Michael Rooker’s Yondu is a fabulous edition. It was a surprising turn of events that this film ended up having one of the most emotionally fraugh ending of any film I’ve seen recently. More than any film in the MCU so far, Guardians 2 has some fucking hard consequences… and it’s brilliant. The sequel may not be quite as good, clever, or original as the first film but it’s still well-worth a look. I mean it was never going to reach the heady heights of the first one because that was such a shock. We knew what to expect here and it delivered exactly that, which was, in a way, its undoing. It’s the awful irony of success I suppose.

Despite everything I really loved this film and was super happy with how Gunn and co did in creating a sequel. It was funny, exciting and visually interesting. The main 5 are getting better and better together and I look forward to future films. I just hope they reign themselves in a bit. Both in terms of the actual film and the post-credits scenes. I mean fucking 5 clips? This whole Marvel tease is getting out of control. Although, it would be fine if they were fulfilling clips but most of them add nothing. I guess one was funny but most just felt unnecessary. A brief tease to a future character, a glimpse to appease comic book fans and a teenage Groot moment that just fell flat. Guardians 2‘s greatest sin was putting the final nail in the coffin of the post-credit bonus clip. Marvel, it’s time to stop this nonsense now. Thanks.

Tuesday’s reviews: Passengers (2016)

Chris Pratt, feminism, films, fucking awful, fucking creepy, Jennifer Lawrence, morally wrong, review, sci-fi, women

I wanted to see Passengers from the moment I first saw the trailer. For one thing, Chris Pratt is looking good and I’m always happy to watch that face for an hour or two. Secondly, Michael Sheen as an android? I’m there. Especially if he really is giving up acting in favour of Welsh politics. Finally, the trailer made it out to be a super exciting suspense thriller. It seemed perfect. However, the more I saw/read about the film the more I realised that I’d definitely hate it. I still wanted to watch it though. The lure of some Pratt facetime was just too great. Although my major gripe about the film had something to do with Chris Pratt’s casting. In that I was annoyed by the significant age gap between the two stars on screen. Christ Pratt is about 37 years old whilst Jennifer Lawrence is a youthful looking 26. Now I’m not disputing that relationships occur between people with an age gap of 10 plus years but I don’t see why it had to happen. Lawrence keeps being cast in roles that should be played by an older actor despite having looking younger than her years. Is Hollywood just running out of women in their mid 30s or men in their late 20s? I know the pair make a beathtakingly beautiful couple but I just think the whole premise becomes even creepier when you consider the age gap. But maybe that’s just cynical old me?

Passengers is one of those films that looks too good to be true. It’s full of beautiful people, wearing beautiful clothes, and getting in perilous situations in beautiful locations. There had to be a catch somewhere. No film has that much emphasis on looking shiny and perfect whilst still offering up a great story. So what is the story? The film introduces us to the Avalon, a starship that is making the journey to a distant planet that is to be colonised by the 5,000 odd people on board. The journey would take 120 Earth years so everyone is in hibernation pods. Well, until an asteroid field causes damage to the ship and Jim Preston (Chris Pratt) is woken up 90 years too soon. Jim, a mechanic, spends months trying to come to terms with his situation and taking as much pleasure as he can in the high-tech ship. But, it turns out, that a man can only find so much joy in basketball, competitive dance games, and robot waiters. Unable to find a way to go back into hibernation, Jim contemplates ending his life.

Well, until a twist of fate leaves him face-to-face with Aurora Lane (Jennifer Lawrence), a writer who is still sleeping through the lengthy journey. To pass his time, Jim starts spending time reading Aurora’s writing, watching her Avalon video biography. and eating his lunch next to her hibernation pod. So naturally, he figures he’s in love with her. Clearly, whenever I see a person sleeping I automatically fall in love with them too. It’s super fucking awkward. Unable to forget his impending lonely life Jim wakes up Aurora from her pod and happily pretends that it happened by accident. It’s fucking crazy! And, because they are the only two humans around, Jim happily pursues the woman he condemned and the pair fall into the best relationship they can when it comes out of such limited options. Plus, basketball and dancing is great and all but sex is the best thing to fight the impending doom of waiting out your life on a spaceship. Until, Aurora finds out what Jim did and, naturally, decides he is not just the only other conscious person but the worst human being of all time.

It’s no fucking wonder that the trailers went so fucking far to erase this massive detail from all of the promotional stuff. This was being sold as a romantic space thriller but instead it’s just a fucking crazed stalker holding a pretty young girl hostage. It’s a weird premise that the writers clearly try to present as morally contemptible and we do see Jim spending a few seconds weighing up the ethics of the situation. Then we see Aurora dismiss him and part company from him. This is all perfectly normal behaviour. Well, until the film’s dismal final act. This is where the film falls down in so many ways. We have the inevitable heroic moment when Jim offers to lay down his life to save the 5,000 plus souls on board. And, apparently, that’s all it takes to take a woman from “your murdered me” to ‘I can’t live without you’. Fucking romantic.

I’m not saying that Passengers is a bad film simply because of this decision. Obviously, it’s the most worrying thing about it but, more than that, Passengers is simply a really bad story. It halfheartedly tries to make a point about ethics in extreme situations but them just ignores it for a shitty sentimental ending. It’s a film that looks amazing but lacks so much in premise that, were it not for the blatant sexism on show, would have made it a completely forgettable film. It’s always a bad sign when your watching a film that doesn’t get better than it’s opening 30 minutes when you’re basically watching a guy doing Groundhog Day in space. After that everything falls apart.

This is a film created by men to appeal to men. Women will sit there watching an unsuspecting and defenceless girl being manipulated by a seemingly nice guy and eventually succumbing to Stockholm syndrome. It’s no wonder we have such a problem with men understanding boundaries when it comes to relationships and sex in this society. Everyman Chris Pratt makes a morally disgusting and selfish choice but is eventually rewarded by getting to see Jennifer Lawrence’s boobs. Yes, I know the film makes an attempt to show how bad the decision was but it is ultimately justified when Aurora makes the decision to stay with Jim instead of going back into hibernation. What does that fucking tell people? With enough persistence and limited options then any woman will chose you over the life they intended to live? Ugh, please. Any real woman would have left that creepy piece of shit and gone to Homestead II as planned. Chris Pratt or no Chris Pratt.

Top 10 Wen-sday: Top 10 Films I’m Looking Forward To This Year

Chris Hemsworth, Chris Pratt, comic book, comic books, films, Harrison Ford, Hugh Jackman, Kenneth Branagh, list, Marvel, Spider-Man, Star Wars, super powers, superhero, Top 10, Wolverine

So last week I released my list of books that I’m most looking forward to (probably not) reading this year. So I decided, as it’s that time of the month when I need to create a list of 10 random things, that it was only fair that I put down on e-paper the films that I’m most excited to see this year. It turns out that was really fucking hard. There are a lot of great films coming out and I’m super excited about all of them. Even really surprising ones. I mean, had you asked me this time last year, that I’d be quite looking forward to seeing Michael Keaton star in the story of the founder of McDonalds I’d have thought you were mad. Now, however, I think it looks pretty good. I mean I love Keaton and it stars the internet’s favourite man’s man Nick Offerman. Plus, there was a point when I didn’t think I wanted to see The Social Network but that turned out better than expect. I also, even more shockingly, became fairly interested in the Justice League film. I’m still not ecstatic about the release because the last two films in DC’s arsenal were utter dogshit. I think it’s basically just down to Jason Momoa though. And Batfleck. But, before I get distracted by sexy superheroes, I should present the list… with more than enough sexy superheroes.
Ten: War for the Planet of the Apes

I really enjoyed 2014’s Dawn of the Planet of the Apes and I loved Rise of the Planet of the Apes back in 2011. The rebooted franchise has created some fantastic pequels so I’m incredibly keen to see what’s coming next.

Nine: Blade Runner 2049

Of course I’m excited about the prospect of Harrison Ford returning to the role of Rick Deckard but there is still a part of me that worries. It’s been a long time. Still, everything we’ve seen so far looks good and gives a positive feeling. Plus, director Denis Villeneuve directed last year’s Arrival which everyone seemed to fucking love. So it’s probably in safe hands.

Eight: Murder on the Orient Express

Probably not going to be top of too many people’s lists but I think I’m going to enjoy this one. It’s Kenneth Branagh directing himself and a shitload of really famous actors to retell the classic Hercule Poirot tale. Yes, we all know who did it but that’s not the point. It’s about watching our favourite Belgian detective work out those “leetle grey cells” to figure it out. And, at this point, I think I’d allow Branagh to play anybody.

 Seven: Alien: Covenant

I know it received mixed reviews but I kinda liked Prometheus. I mean it was a bit of a fucking mess but, for the most part, I think it was a decent film. I get why people were upset though. It was billed as the epic prequel to one of the best films ever made but it didn’t even feature the titular alien creature. So, this year’s follow up should make amends for that if the poster is anything to go by. Really, this could be a retelling of the first Alien film and this would fair better than Prometheus. Plus, you know, Michael Fassbender is fucking weird in this role.

 Six: Logan Lucky

I’m kinda getting sick of Steven Soderbergh telling us he’s retiring and then making another film. Or at least I would be sick of it if it wasn’t for the idea of another Soderbergh film. It’s been 4 years since he made the announcement and now he’s back making a comedy about a robbery duing a NASCAR race. It’s got an interesting and star-studded line-up. What we know about the plot sounds kinda ropey but it’s fucking Soderbergh. How can you ignore it?

Five: Thor: Ragnorak

I know Thor isn’t everyone’s favourite part of the MCU but I’m a massive fan of his first film. I think the second was kind of dodgy but I still have faith in this series. The huge-armed Norse God is back for his third film and, for anyone that knows anything about Norse mythology will know, Ragnorok can only mean trouble. Thankfully, Thor is helped by his pal the Hulk and Marvel’s newest sign-up Doctor Strange. We’ve lost the unnecessary and bland Jane but I’m sure nobody, Natalie Portman included, is crying about that.

Four: Guardians of the Galaxy Vol. 2

Guardians of the Galaxy was a sort of surprisingly huge hit when it came out 3 years ago. It introduced us to the ragtag bunch of people who accidentally get caught up in trying to save the world. Their second film promises much of the things that made the first one great so obviously I’m excited. But, as we’ve learnt by now, Marvel sequels don’t have the greatest track record. I mean, to date, only 1 follow-up manages to equal/improve on the first film: The Winter Soldier. At the worst we have Iron Man 2 (happily improved upon with Iron Man 3) but the rest were all just kind of meh. So, I do have a fear that Guardians 2 will just try and replay all of it’s greatest hits without offering up any new material. As much as I love him, I need more than just “I am Groot” but said in a baby voice now.

Three: Spider-Man: Homecoming

If Civil War taught us anything it was that a Marvel controlled Spider-Man film could be the best thing ever. Then the trailer for Homecoming was released and it definitely backed up the claim. Tom Holland looks set to steal Andrew Garfield’s crown as best portrayal of the web-slinger. Still, this is the 3 time in about 15 years that this franchise has been rebooted and it’s the 3 different actor to lend his face to the role. I’m not sure it was necessary and, more worryingly, I feel that Marvel are pushing Tony Stark too much. Maybe his role will work in the film as a whole but, from what we’ve seen so far, this could very easily become the Iron Man show. And that would be an injustice.

Two: Star Wars Episode 8 

Well, duh! Rogue One was the best Star Wars film to be released since the originals and it got me incredibly excited for what’s coming next. The Force Awakens did a great job of bringing us back into the world but left so many things unanswered. This is the time to find out. Plus, it’s directed by Rian Johnson who also did Brick and Looper so we’re in pretty safe hands.  

One: Logan

There was really no other choice for the number 1 spot. Logan is a key film this year for so many reasons. Mostly because, after 17 years, Hugh Jackman is finally saying goodbye to the character. It’s so weird to think that he’s been playing the guy for so long. He basically is Wolverine at this point. I can’t imagine anyone else having taken the character this far if Jackman hadn’t got the role. Add to that the fact that it’s the character’s first film to receive an R-rating. Last year’s Deadpool showed us that it’s no bad thing to make comic book movies just for adults so it feels right that Jackman should get to show us what Logan can really do for this final time. The comic book Wolverine was always an incredibly violent character and that’s not really been able to come across in any of the others. We need to see him really letting his anger out. I’m so fucking pumped for this film.

Jurassic World (2015)

Chris Pratt, death, dinosaurs, film, review, Steven Spielberg
I, like everyone else of a certain age, felt fucking old when I realised it’s been 22 years since the Stephen Spielberg’s original dinosaur film. film came out. Admittedly, I was only 5 at the time so didn’t watch it til a few years later. I’m not ashamed to tell you I was fucking terrified after that first viewing. I couldn’t sleep thanks to the vicious Dilophosaurus and its spitty ways. Yes, Nedry was a dick who caused the deaths of many people, but nobody deserves that. Anyway, it’s safe to say that subsequent viewings have been much more successful and I love Steven Spielberg’s dino-epic as much as it deserves. In it’s day, Jurassic Parkwas one of the best visual displays on show and it still fills me with excitement to see that first glimpse of the park’s residents in all their glory. However, you can’t deny that the sequels have left a little to be desired. The Lost World was good enough until they stuck another Godzillainspired film on the end but Jurassic Park 3was just abysmal. So Spielberg brought out the big guns and dress Star Lord up as Indiana Jones and gave him a raptor army. Fucking awesome. Hold onto your butts.

The worst thing about the events of Jurassic Parkwas that we never really got to see John Hammond’s vision for a dinosaur theme park. We didn’t see the attractions in all of their glory. I can’t imagine anyone in 1993 who left the cinema and didn’t immediately want to pack up for a trip to Isla Nublar and seeing the exhibits themselves. Even with all the death. Imagining what it would have been like to see the kind of attractions Hammond and his buddies could have created is something that has kept fans entertained for the last 22 years.
Jurassic World understands the appeal of the dinosaurs as attractions so opens with a fully fledged park that has been enjoying a steady stream of visitors for a while. We see shiny new rides, feeding shows and dinosaur souvenirs. Crowds are able to enjoy watching a Mosasaurus swallow a shark whole as though they’re at fucking Sea World. If it weren’t for the inevitable danger that always turns up in these films, Jurassic World would be at the top of my vacation list.
However, as our society has such a short attention span, after 22 years the novelty of scientists being able to recreate extinct creatures out of old blood has worn off somewhat. People want something new and even more exciting. Thankfully, to make the money crunchers happy, the scientists have offered their own solution: by genetically engineering their own massive dinosaur. Weirdly only one guy thinks that’s a fucking stupid decision. Have these people learnt nothing from the last three films?
Suffice it to say, chaos ensues once the patchwork dino escapes from her cage and begins killing anything that crosses its path. It is up to the park’s resident raptor trainer, Owen Grady (Chris Pratt), to use the skills he picked up in the US Navy to help stop the beast and save the visitors. Starting with the young nephews of Claire Dearing (Bryce Dallas Howard), Jurassic World’s operations manager, who are rolling around the forest into the path of their aunt’s newest attraction. There’s also some guff about using dinosaurs in the military but that’s really just a waste of fucking time and I’m keen to ignore it here.
Of course, Claire and Owen, both being attractive people, have to take part in the obligatory romance plot that I really could have done without. That’s not to say it isn’t handled well. Howard and Pratt have great chemistry and enjoy a playful back and forth that’s reminiscent of Han Solo and Princess Leia. I’m still not sure why someone deemed it necessary to add it on but I guess it made for an interesting side-bar.
Both actors do great jobs all round really and, thankfully, they both get their chance to play the hero. Much has been shown of Pratt and his raptor army riding off to glory but Howard’s Claire has her own fair share of defining moments. The same cannot be said of the supporting cast who, the two young boys aside, lack any kind of definition or development. There is a real lack memorable characters here, something the original had no problem providing for us. There were moments in this film that I even missed fucking Tim.
AlthoughJurassic World is all about the spectacle and boy does it deliver. 22 years is a long time in Hollywood and this new film succeeds in making the original look as old as the creatures it portrays. Although, that’s not to say that it doesn’t respect its predecessor. Director, Colin Trevorrow, is a true Spielberg fanboy and references plenty of his works and trademark style within his blockbuster. Part of the fun will be rewatching and catching everything.
Of course, despite it’s modern techniques, $150 million budget and lovable leading man, Jurassic World was never going to beat the first film. Even in an age where Marvel rules all, Jurassic Park is still one of the greatest and most loved film’s for a generation of film goers. Spielberg created something genuinely tense, exciting and inspiring film: nothing will ever compare. So I won’t. Jurassic World is what it is. A fucking awesome film that’s as fun, silly and over-the-top as you expect from a big budget blockbuster. It’s also clever, thanks to the underlying message about our ever expanding tastes. It works as both a thoughtless Summer cheese fest and a genuine analysis of the film industry itself. I loved it.

Yes, a lot of it doesn’t make sense, is absurd or completely wrong. But we didn’t ask for reality, we asked for more teeth. 

TBT – The Lego Movie (2014)

animation, CGI, Channing Tatum, Chris Pratt, Lego, review, TBT, Will Arnett, Will Ferrell

No matter how old I get, I will always love Lego. So much so, that when my family asked what I wanted for my birthday today it took all of my self-control to say anything other than Lego. I have a secret supply to bring out when I’m bored, I’ve been known to obsessively play every Lego video game that’s ever been created and have wasted more hours than I’d care to admit dreamily going through the Lego website wishing I could afford it all. So yeah, I fucking love Lego. However, when I first watched The Lego Movie last year I wasn’t that impressed. Yes, it was funny and really well made and I had that fucking song stuck in my head for months afterwards… I just thought something was missing. So, when I discovered the DVD on offer with free Vitruvius minifig I felt I owed it to myself to give it another try.

The Lego Movieis the creation of duo Phil Lord and Christopher Miller who have started to garner the reputation as people who can create fucking amazing films out of questionable building blocks. They found great success with their animated feature Cloudy with a Chance of Meatballs and the surprisingly clever and fucking funny reboot of 21 Jump Street. If anyone was going to create a film out of a much-loved childhood staple that wasn’t as brain meltingly awful as Battleships then these were the guys to ask.
There was always the question of how they were going to tackle the storyline of a film about plastic bricks and, on the surface, The Lego Movie seems fairly boring and clichéd. Emmet Brickowski (Chris Pratt) is your average Joe who happily goes about his day living within the rules. Working in construction, Emmet literally follows life’s instruction manual. His life is repetitive and unexciting until he finds the prophesied ‘piece of resistance’.
As it turns out, the mystical Vitruvius (Morgan Freeman) had a vision that a chosen one would find the piece and stop the evil Lord Business (Will Ferrell) from destroying the world. Once the piece is within his possession, Emmet finds himself battling against the straight-laced despot and being aided by a renegade group of Master Builders, visionaries who prefer to rip up the fucking rule book and live outside the box.
Thanks to Lego’s recent film and comic book themed sets, the race of Master Builders is punctuated with all too familiar faces, including Superman (Channing Tatum), Green Lantern (Jonah Hill) and Wonder Woman (Cobie Smulders). Of all of the supporting characters though, it is Lego Batman (Will Arnett) who reigns supreme and has, unsurprisingly to all involved, has gained his very own spin-off film.
The Lego Movieis undoubtedly a riotous affair. The characters dip throughout the multi-dimensional world appearing in worlds that are all too familiar to fans of the titular toy. The most action takes place using the Pirate sets, the Wild West and Space but the film is littered with references to the less recognisable, like Fabuland and Galidor. The detail of the film is breathtaking and there is an abundance of sight gags and in-jokes for the true aficionado.
For a film that is basically just one massive advertisement for Lego, The Lego Moviecertainly doesn’t feel like one long product placement. It has respect for its subject matter and treats it with the correct sense of fun. The plot isn’t exactly the most inspiring despite the fact that the duo do everything they can to invert the tired ‘chosen one’ narrative. However, if we’re honest that’s pretty much what Lego itself is. A collection of bricks that, on their own, are fairly dull bits of plastic that are fucking devastating to stand on. Lego is all about imagination and its potential is infinite.
So yes, the script may not always hit every single target but neither does everything you make out of Lego. The visual gags are incredible and the sheer energy behind every scene is non-stop. It’ll leave you breathless and on the edge of your seat. Although this is a bit of a double-edged sword and there is a moment during the middle where things get a little too chaotic; almost as if you allowed your child to drink a butt-load of coffee and let him loose on a large quantity of blocks. The writers just seem to let their imagination go a little too crazy and there are too many random ideas to keep control of.
Thankfully, you can trust the pair to eventually reign it in and get proceedings back on track. I wasn’t sure about the ending after my first viewing but second time around I found it fucking heart-warming. I think I was initially disappointed at such a convoluted way of explaining all the events but, actually, the ending is the perfect way to tie up all the loose ends.

Of course, The Lego Movie is something that you shouldn’t really put too much thought into I suppose. Like the bricks themselves, it’s all about having fun and being silly. Lord and Miller have written a slightly insane, witty, clever and strangely sassy film that will delight children and adults alike. The animation is stunning and makes standard CGI look like stop-motion. So much thought has gone into the look of this film from the blink and you’ll miss em sight gags and the scratched, scuffed pre-loved feel the blocks and characters all have. Add to that a flawless voice cast with impeccable timing and you have something I feel fucking stupid to have been disappointed in. Hey, I can’t be perfect all the time.