- TUESDAY’S REVIEWS – A Christmas Prince (2017)
I’ve been feeling super Christmassy of late so I made the decision to watch as many Christmas films as possible. I started with this new Netflix classic that I’ve not been able to avoid of late. Is it the new must-see festive flick? Find out here.
- BOOK POST – 12 Days of Christmas Book Tag
I didn’t have a book to review this week so I had to pick a random book tag to do. It seemed appropriate considering my Christmas theme. Want to know more about me? Click here.
- TBT – Angel of Christmas (2015)
After trawling through Netflix for another random Christmas film I came across this gem. It’s very similar to A Christmas Prince but with added angels. What could go wrong? Find out here.
- Autumn by Ali Smith
- Women & Power by Mary Beard – Mary Beard writing a feminist manifesto? I mean as if I could say no to this?! This sounds perfect and I just couldn’t resist anymore. It wasn’t very expensive and isn’t very long. I can’t wait to read this.
- Nutshell by Ian McEwan – I’ve wanted to buy this for ages because it sounds amazing. I mean it’s like Hamlet but with a fetus instead of a Danish prince. I love it. I’m already looking forward to reading it.
- Star Wars: Thrawn by Timothy Zahn – I’m in a bit of a Star Wars mindset at the moment that when this turned up for Kindle for 99p I couldn’t say no. I’m not even sure when I’m going to read this.
- Netflix Binges: Miranda, Luther, Parks and Rec
- TUESDAY’S REVIEWS – Thor Ragnarok (2017)
After trying to organise a cinema trip with a friend for ages I finally got to see the latest Thor. It’s no real spoiler to say that I fucking loved it but if you fancy more information my review is up here.
- BOOK POST
I promise you I was planning on writing a bookish post this week but, when it came to Wednesday, I just had nothing in me. I was exhausted and fell asleep far too early. I’d rather post better quality stuff than rigidly stick to my schedule so this could be happening more than I’d like.
- TBT – Hunt for the Wilderpeople
Watching Thor Ragnarok gave me the perfect excuse to finally watch Taika Waititi’s Hunt for the Wilderpeople for my TBT review this week. Everything you need to know is here.
- Underground Railroad by Colson Whitehead
- Oxfam book haul
Believe me, there were plenty of books I could have walked away with but the stupid card machine wasn’t working and I only had a limited amount of cash on me. Thankfully I guess. I still managed to pick up four bargains.
- The first was a gorgeous simple copy of The Stranger by Albert Camus. I’ve not read any Camus besides The Plague, which I gave up on halfway through. This is widely considered to be his best book so I figured giving it a try might inspire me to restart The Plague eventually.
- The second was a vintage copy of Crime and Punishment with a weird, trippy cover. I already own too many copies of this book considering how many times I’ve tried and failed to finish it. This is the smallest though so it might be better for reading on the go.
- The third is a find I’m really excited about. You can so rarely find good quality Penguin Clothbound Classics in charity shops that I couldn’t pass up the chance to get Great Expectations. I book this just for the edition but this is one of only 2 Dickens books that I genuinely really like.
- The final book is my favourite of them all. It’s a gorgeous and slightly creepy illustrated edition of Animal Farm. The illustrations are really striking and I just couldn’t put it back. I had to have it. The book didn’t have a price so I was super worried it would be out of my budget. Thankfully the woman named an incredibly reasonable price of £2.99. She even looked apologetic about it! I seriously could have hugged her.
- Netflix Binges: Wet Hot American Summer: 10 Years Later, Johnathan Creek, Jack Whitehall: Travels with my Father
Will Ferrell is one of those comedians that you can trust to be funny whatever he’s doing. Through the years, I’ve happily watched and enjoyed every film starring him that I’ve ever seen. Even the shit ones, like Daddy’s Home for example, have something fairly entertaining in them. The guy always gives his all in a role and is so naturally hilarious that you’ll find yourself crying with laughter at the stupidest things. So I kind of feel like I’m on solid ground with him and that’s before you even consider that Amy Poehler is also in it. Combine the pair and you have a powerhouse of SNL alumni. Of course, things start to unravel when you look at how the film is being marketed. It’s very telling that neither Ferrell or Poehler seem very eager to talk about the film itself. Interviews aren’t treated as a place to talk about the film but simply about getting the pair in front of a camera. Will Ferrell has done some shit films in the past so when he’s keeping shtum about a film then you know it’s embarrassing. 1 hour and 28 minutes worth of embarrassing. Yep, The House can’t even hit the 90 minute mark and we’ve all heard the one about good films
coming in short run times. Well, even if this is going to be shit at least it’s not going to be shit for too long. Let’s be thankful for small mercies.
The House is one of the films that sounds really good on paper. Taking two fabulous comedians, a great supporting cast of funny people, and giving them an interesting premise to work with. It should have been simple. When their daughter gets accepted into the university of her dreams, Scott and Kate Johansen (Will Ferrell and Amy Poehler) are over the moon. Until they discover that the scholarship they were being offered by the town has been scraped in favour of an exciting new town pool. In order to drive the plot forward, neither Scott or Kate had prepared for any other eventuality and have failed to put aside any money to pay for their daughter’s tuition. You kind of have to question parents who are this lackadaisical with regards to their child’s future. And, also, how far in advance does the town pick a child to fund? Did they know she was getting the cash from birth or was it just super lucky that her name was drawn?
Of course, I know the answers to these questions: because the narrative demands it. When the pair find themselves unable to send their precious daughter to her dream school they accept their weird friend, Frank’s (Jason Mantzoukas), suggestion that they open an underground casino in his empty home. Frank, as it turns out, is a gambling addict who is going through a divorce and in danger of losing his coincidentally casino-sized house. We all know that “the House always wins” so why not become the House? The mild-mannered parents take to their life of crime and wealth and embrace everything about it. Kate becomes addicted to weed whilst Scott unwittingly becomes a casino heavy who uses force to get patrons to pay their debts. Things quickly get out-of-hand as the narrative gets more and more extreme. Finally, ending with political cover-ups and a crazed mob boss played by Jeremy Renner, in a completely underwhelming cameo.
The House isn’t the biggest disaster that you’ll ever watch at the cinema but you can’t get away from the fact that it’s just not good. You’ll probably watch it and think it’s okay but that will mostly be down to the three leads. All three actors at the film’s centre put everything into their characters but it can’t be ignored that there isn’t really much there. If I’m honest, I had to look up everyone’s names because by the time the credits rolled I had no fucking clue who anyone was. They’re just bland and underdeveloped characters who just take part in outrageous activities with no real justification. Their actions always seem unnecessary or unexplained outside of the “we thought it would be funny” argument. There’s an utterly pointless plot-strand that sees Scott being rubbish with maths that really goes nowhere and is, in actuality, not as funny as it may have seen whilst writing the script.
It’s just not very inspiring. There isn’t time for an aspect of the film to evolve into something interesting or even funny. The humour is mostly derived from awful stereotypes that directly tie to the actor’s involved. This film just feels like several short sketches haphazardly stitched together to create the kind of quilt that you’d definitely tell people was made by your young child. Handily, for a film concerning parents experiencing empty nest syndrome, this film is equal parts embarrassing and sad to watch. There are very few genuine laughs to be found but plenty of places where the writer/director attempts to force it with lame gags or physical comedy. It makes me both sad and angry that Will Ferrell and Amy Poehler were subjected to this and that they both allowed it to happen. This is the kind of disaster that should never have been made. Turns out, The House doesn’t actually always win.
- End of Watch by Stephen King
I’ve read a bit more but I’m still not convinced it’s worth my time. Especially as the pile of deserving books is getting larger by the day. I’ll be fair and give it another week just to be sure.
- His Bloody Project by Graeme Macrae Burnet
- Spider-Gwen Vol 1 by Jason Latour
- Batgirl Vol 1 by Cameron Stewart
- Black-Eyed Susans by Julia Heaberlin (Blind Date Book Company)
- Hostage by Robert Crais (Blind Date Book Company)
- Step Brothers