Last year, Netflix proved that it had some great things to offer the world of animation. Both Klaus and I Lost My Body were worthy Oscar nominees at this year’s Oscars. It’s just a shame that Toy Story 4 knocked them out of the park. But it did go to show that Netflix was willing to push boundaries somewhere at least. Yes, the comedies weren’t exactly anything to write home about but they were clearly picking interesting animated projects. So, I was interested in their new animated film even before I knew anything about it. I didn’t know the book it had been adapted from or what to expect. It looked pretty interesting from the trailer so I decided that it would be worth a chance. It looked like Henry Selick but with added rainbows. At the very least, I figured that it would be a pretty film.
Imagine a world in which the Baudelaire orphans aren’t orphans but they’re parents were both as awful as Count Olaf. That’s the best way I can think of to describe the premise of this story. The four Willoughby children were born to two parents that had no interest in raising children. Mother and father Willoughby were so in love with each other that they had none left for anyone else. So, when their children come along, they just leave them to fend for themselves. Tim, the eldest child, always tries to live up to the Willoughby name. His family used to be full of great people with even greater moustaches. He tries to instil these traditions in his younger sister and twin brothers but they just want to get as far away from their family as possible.
Which is how the group come up with a plan to get rid of their parents once and for all. They send them off on a deadly adventure in an attempt to orphan themselves. They are left in the hands of Linda, a caring and happy nanny. The three younger siblings fall for Linda’s charms but Tim doesn’t trust her. To the extent that he calls Orphan Services and the children get taken away. All are sent to separate homes and are even more miserable than before. Can Tim come up with a plan to get the family back together? And just what does the orphan baby left on their doorstep have to do with it all?
The Willoughbys is a very original and exciting narrative. It might look sickly sweet on the outside but there is plenty of darkness here. The story has definite Neil Gaiman and Lemony Snicket vibes to it but it has enough rainbows and love to make it work. It is also pretty fast-paced. The narrative moves along at such a pace that you won’t have time to get bored. It’s constantly moving forwards and it is packed full of references. This is an energetic film that will keep younger viewers engaged and it has enough originality that parents won’t be too put-out having to sit with them.
Yet, compared to Netflix’s past animated offerings, it just feels a bit lacking. There is a sense that the darkness doesn’t quite work for the audience this film is aimed for. Or at least, that it could have gone further had it not been for the young audience. It brushes with death and darkness which is fine but it feels a bit childish still. The film opens by claiming that it won’t have a happy ending but there’s never a real sense of danger here. No matter how hard it tries to convince you otherwise. It would be interesting to see what could have been made had this film been pushed towards an older audience. It could have been more like A Series of Unfortunate Events instead of seeming like a pale imitation.
This is an interesting film but it feels a little fragmented. This is the main explanation for Ricky Gervais’ role as narrator. Playing a cat who oversees everything, the narrator is the thing that keeps all of these things together. Otherwise, the film would have the feel of a series of sketches instead of one complete narrative. I understand that, when adapting a book, having a narrator can feel natural but I’m not sure the cat added anything. It was Ricky Gervais playing Ricky Gervais again. It felt weird and out-of-place. I would have prefered the narrative to flow naturally without it.
Although, this is still an enjoyable film. The voice actors are all energetic and fantastic in their roles. The characters come to life on screen but its limited thanks to the pace of the storytelling. There’s plenty of fun and it is a visually great film. It’s just that there’s too much going on and it all happens too quickly. You can’t really sit back and enjoy the good bits because we’re skipping from bit to bit. It also means the overall emotional message gets lost a little. The film’s final act lacks the punch that it needed. It should have been a lovely moment but it’s just a bit flat. The Willoughbys isn’t the worst thing Netflix has ever created but, compared to some of their other animated films, it just can’t compare.
4 thoughts on “Tuesday Review – The Willoughbys (2020)”
‘Interesting trailer, disappointing end result.’
That’s how I felt about it unfortunately.
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Yes. It’s a shame when it could have been so good.
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