We’ve known for a while that Hugh Jackman was on his slowly moving towards his final outing as the character he’s played since 2000. For 17 years Huge Ackman has continued to prove that nobody could have been cast in the role of Wolverine and has gained a phenomenal number of fans. So when the first details of Logan were announced it became a clear the whole thing was going to be fairly emotional.., and that was before the trailer sound-tracked by Johnny Cash’s cover of ‘Hurt’ was even released. I’ve been excited about this film for a long time but I was also faced with a certain amount of trepidation about seeing it. Not because I thought it was going to be bad (everything we were shown pre-release destroyed any fears regarding quality) but because it’s the end of an era. It’s a bittersweet sensation that Hugh Jackman is finally able to do great things in the character’s first R rated outing just before he leaves the role (almost certainly) forever. Suffice it to say I was struggling to hold back the tears as the film went on and was only prevented from bawling like a baby thanks to the awful guy we were sat next to and his inability to shut the fuck up. It’s weird but I can’t help mourning the loss of this character. He’s become so iconic through Jackman’s interpretation and the X-Men movie franchise is always going to feel like it’s missing something now. Thank fuck the big guy went out on a high though, eh.
Logan was primarily billed as an adaptation of the Old Man Logan storyline. I think that description is taking more than a few liberties but there are some distinct similarities. The year is 2029 and mutants have become a rare breed. They are no longer being born and the remaining few are slowly dying out. Amongst them are two familiar faces; Logan (Hugh Jackman), now ageing and losing his healing factor, and Professor X (Patrick Stewart), whose deteriorating brain function is causing his mutant power to get out of control. They are also joined by a new face; Caliban (Stephen Merchant), an albino mutant who is able to sniff out mutants. The three are in hiding in Mexico where Logan has the Prof holed up in an old water tower and pumps him full of drugs to hold off the seizures for as long as possible. The end goal is to make enough money ferrying drunks around in a limo so the group can buy a boat and sail off into the sunset.
Of course, things have never been that simple where Logan is concerned. He is soon left in charge with the first mutant to be born since everything went tits up. This young girl, Laura (Dafne Keen) is being hunted by a team of mercenaries lead by Donald Pierce (Boyd Holbrook) who is working on behalf of smarmy scientist, Zander Rice (Richard E Grant). In order to escape the bad guys with guns, Logan takes his new charge and the dangerous nonagenarian on the mother of all car journeys to take her to safety. Whilst Logan is already struggling with his deteriorating powers, he must also come to terms with his new found role of father as he attempts to keep Laura and the Professor safe.
When it was announced that Logan would be Wolverine’s first R rate movie experience audiences got excited. Last year Deadpool showed us that comic book movies and adult only violence could mix really well. However, Logan is an entirely different film. Whilst Deadpool still appealed to the child in all of us, Logan is all maturity. If it wasn’t for the frequent unsheathing of adamantium claws and bionic hands, this wouldn’t feel like a comic book movie at all. This is The Road or The Last of Us. It is a tale of survival but not on the global scale that the X-Men are used to. It’s a very clever and emotionally wrought film. The focus is on ageing and responsibility. It is a character driven narrative that features big action sequences rather than the action based X-Men films we’re used to. Thor the violence, that has been such a huge talking point in the run up to the film, is really neither here nor there. Yes, there is a lot of fight sequences where arms get chopped off and metal claws pierce people’s skulls but it is completely secondary to the story. It’s almost as if it’s there because it has to be. Rather than Deadpool, which almost made the violence it’s biggest draw, Logan relies on its emotional resonance to leave the biggest impact.
So much of this film rests on the actor’s involved and thankfully the 3 main characters are superb. For the most part, Laura is mute but newcomer Dafne Keen does incredibly well to with bringing the character to life on screen. She is silent but deadly and super cool. Her relationship with Logan is slowly realised as the pair come to rely on each other. It’s adorable and loving. However, it can’t hold a candle to the main relationship on screen: namely the one between Logan and Charles. We are faced with a situation almost directly opposite to the one that emerges from the first film. In X-Men Logan comes to Xavier as a dangerous weapon with no idea of his history and the Professor teaches him how to control his powers. In 2029, it is Charles who is the dangerous mutant who Logan must keep controlled using drugs. The pair have come through so much but have a deep love for one another. It is a testament to the actor’s friendship off screen that the onscreen partnership is so strong.
Logan is unlike any other superhero movie out there. It is darker and more brutal that Christopher Nolan’s Dark Knight trilogy. It lacks the requisite lashings of hope to keep an audience happy at the end. It shows the dark side of humanity and an incredible bleak future. This film is the best comic book movie offering I’ve ever seen. In fact, Logan is one of the best films I’ve seen in a long time, Rather than dealing with mass death on a unrealistic scale, this focuses in on the all-too-real issues of mortality and the legacy we leave behind. Just as Jackman is moving on from the character shrouded in the respect and adoration that comes with it, Logan is faced with a reputation that he is struggling to live up to. He can no longer be the man that he once was and, instead of facing off with the bad guy, he aims for a quite life taking care of his elderly father figure. Logan still suffers from some questionable decisions and is far from being the perfect film. However, considering the other solo offerings we’ve seen, it is certainly the best outing we’ve had for the character. Hugh Jackman dominates in the role of weary ex-superhero and, if this really is to be his last onscreen appearance as the mutton-chopped anti-hero, I don’t think anyone could have asked for a better way to end his tenure.