I like Les Misérables. I guess it’s the closest you’ll get to a manly musical. It’s all about violence and loyalty and extolls the Revolutionary values of liberté, égalité and fraternité. Anyone who doesn’t leave the theatre after watching without feeling a rousing desire to storm something is someone not worth thinking about. It is safe to say that I was excited about the film version. On paper it sounded fantastic. A great cast of actors (and Amanda Seyfried) all of whom are known to be competent singers (and Russell Crowe). However, it ended up being slightly disappointing.
Thanks to director Tom Hooper who is a director quite keen to stand-out from the crowd and point out how clever he’s being. Who can forget the story about The King’s Speechwhen he delighted in shoving a camera in Colin Firth’s face on the first day of filming in order to capture his real-life nervousness? At least that had a purpose. The only reason for the awful use of close-up here is to continually point out how clever he was in recording the vocals live on set. It just ends up looking dodgy though. Take the ‘I Dreamed a Dream’ scene. If you can take your eyes off Anne Hathaway’s outrageous faces you may notice the shoddy camera work on display. So something that was supposed to show the skill of the director and his cast just looks very lazy and badly put together. Heightened thanks to the CGI which, if you ask me, just looks too computerised and fake (this may sound odd but this kind of technology is getting so good that this just feels like this has taken us a few steps backwards). Then we have the all-important singing which is patchy. Even great singers like Hugh Jackman and Anne Hathaway end up seeming like they belong on the opening rounds of Britain’s Got Talent or something. Russell Crowe was suprisingly good in places but, for the most part, he was missed the tune and as unmelodic. Oh and the less said about Amanda Seyfried’s screechy warbling the better.